Previous Exhibition
EXHIBITION: DECEMBER 14 - January 18, 2014
KES ZAPKUS
Primary Rave - 2011-2012
oil, acrylic on cotton
36 x 72 in. (91 x 183 cm)
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MARY SHAFFER
Chained Yellow #13-22
slumped glass and found metal
15 x 9 x 3 in. (38 x 23 x 7.5 cm)
One of the significant influences in the American Studio Glass movement of the 1970s, Mary Shaffer developed a technique she calls “mid-air slumping,” a unique method of bending glass into art. Her “Tools” series combines resonant, down-to-earth items like ice tongs, farm implements, and discarded buggy wrenches with the fluidity of molten or plate glass, in a marriage of sturdy simplicity, wit, and dazzling elegance. |
MARILYNN GELFMAN
Captain Bligh & Clementine - 2010
mixed media
9.75 in. (h), 25 cm (h)
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FRANCOIS DESCHAMPS
Black Spider
- 2011
archival digital print
12 x 16 in. (30.5 x 40.5 cm)
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DANIEL SCHOTTENFELD
Brooklyn's Joe - 2011
Gouache on gum
2.5 x .75 in. (6 x 2 cm)
Painting with gouache on the gum that came with packs of baseball cards, Daniel Schottenfeld has recreated the images gleaned from those cards and from other historical baseball imagery. These compulsively created, miniaturized people and vignettes exquisitely rendered on the most mundane and transitory of materials are relics of obsession and devotion. |
BEN DALLAS
Gradient #343E - 2013
acrylic on wood
12.75 x 3 x 1 in. (32 x 7.5 x 2.5 cm)
Ben Dallas makes wall mounted constructions normally fabricated of wood and painted with a variety of acrylic media. His wedge-like pieces in various sizes are individual productions in a series of works he calls Gradients. Dallas paints the planes of his sculptural structures to produce both surface color and pictorial effects. Here, painting functions to visually equate and coexist with simple, dimensional forms resulting in a variety of dualistic composites. |
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