Poindexter sets in motion four simultaneous currents, conjoined by related physicality and named according to material: cable and beam; paint as material; old and new (de) construction; and organics. The artist's keen spatial sense enables these abstract forms to engage with the wall they inhabit; chaos is separated out to illuminate the power and beauty of the material.

The stylized forms and characters depicted in each of the paintings of this series are developed through a process of spontaneous drawing and erasing directly on the painting substrate using charcoal. The drawing continues without any preconceived notion of what the final outcome should or will be until something jumps out that's worth pursuing as a finished painting. The layers of charcoal leave scars and artifacts on the surface which are purposely left in the final painting to become a part of the apparent narrative. Though there is a decidedly humorous aspect to the work, the humor is more ambient in nature than direct or blatantly comic.

These enigmatical geometric constructions are composed of sections and layers of wood block, attached to each other at unpredictable angles and result in forms that are at once seemingly organic, crystalline and tightly controlled. Each work appears to grow out of the wall like a naturally-forming ornamental abstraction.