Masao Gozu - Utilizing moss-covered, native stone from the area near his studio in Pond Eddy, New York, Masao Gozu has altered, reconstructed and re-imagined 19th and early 20th century building facades from urban environments in and around New York City.  Each piece of sculpture is constructed with a special mortar that is free of any acidity that would burn the moss. There also is a circulating water system built into each sculpture that keeps the moss moist. In Japan, moss on stone is symbolic of eternity.

Herb Stratford - This body of work, small sculptural box constructions, combines various elements including; found-object antique boxes, vintage photographs, lenses, wax and felt. The end result is a entirely new object that hints at mysterious purpose, history and message. Often the work seems like an artifact from an unknown past, yet it comments on present conditions. Sometimes autobiographical, these pieces speak to the viewer on several levels simultaneously.

Marlene Vine - Working with pen and liquid acrylic, Marlene Vine draws masses of repeated, stacked, tight lines that become abstract organic forms of color and tone that are layered with emotion. By accumulating hundreds of close fitting lines, with their infinite small imperfections, she creates endless networks of intricate relationships and imagery.