Ralph Goings

Solo Exhibitions:

2011 The Donut Suite, OK Harris Works of Art, New York, NY
2005 Great Goings: Vintage Pick-Up Trucks and Diner Paintings, Louis K. Meisel Gallery, New York, NY
2004 Ralph Goings: Four Decades of Realism, Butler Institute of American Art, Youngstown, OH
2003 Ralph Goings: Paintings & Watercolors, Vintage & Current Works, Bernarducci Meisel Gallery, New
York, NY
1997 Ralph Goings: Photorealism, Solomon Dubnick Gallery, Sacramento, CA
1996 O.K. Harris Works of Art, New York, NY
1994 Ralph Goings, A Retrospective View of Watercolors: 1972-1994, Jason McCoy Inc., New York, NY
1991 O.K. Harris Works of Art, New York, NY
1988 O.K. Harris Works of Art, New York, NY
1985 O.K. Harris Works of Art, New York, NY
1983 O.K. Harris Works of Art, New York, NY
1980 O.K. Harris Works of Art, New York, NY
1977 O.K. Harris Works of Art, New York, NY
1973 O.K. Harris Works of Art, New York, NY
1970 O.K. Harris Works of Art, New York, NY
1968 Artists Cooperative Gallery, Sacramento, CA
1962 Artists Cooperative Gallery, Sacramento, CA
1960 Artists Cooperative Gallery, Sacramento, CA

Group Exhibitions:

2012 Beyond Reality: Hyperrealism & American Culture, Vero Beach Museum of Art, Vero Beach, FL
2010-11 Hyper Real: The Passion of the Real in Painting and Photography, Museum Moderner Kunst Stiftung Ludwig Wien, Austria
2010 SIGN/AGE, Armand Bartos Fine Art, New York, NY
2009 Picturing America: Photorealism in the 1970s, Deutsche Guggenheim, Berlin,Germany
2008-09 Shock of the Real: Photorealism Revisited, Boca Raton Museum of Art, Boca Raton, FL
2008 Here’s The Thing: The Single Object Still Life, Katonah Museum of Art, Katonah, NY
2007 New York to New Hampshire: Artists of the OK Harris Gallery, New England College Gallery, Henniker, NH
2007 Photorealist Watercolors: The PieperPower Collection, Milwaukee Museum of Art, Milwaukee, WI
2007 I WANT Candy: The Sweet Stuff in American Art, Hudson River Museum, Yonkers, NY
2007 National Contemporary Realism, M.A. Doran Gallery, Tulsa, OK
2006-07 Photorealism: Cultural Icons, Jonathan Novak Contemporary Art, Los Angeles, CA
2005 Hyperrealistes Americains, Galerie Patrice Trigano, Paris, France
2005 American Photorealist Posters: 1972-2001, SACI Gallery Studio Art Centers International, Firenze, Italy
2004 What Eight Artists Collect, 80 Washington Square East Galleries, New York University, New York, NY
2004 Photorealism: Painting and Sculpture, Nassau County Museum of Art, Roslyn Harbor, NY
2004 American Photorealism, Iwate Museum of Art, traveling exhibition in Japan
Jane Voorhees Zimmerli Art Museum, Rutgers, State University of New Jersey, New Brunswick, NJ
2004 O.K. Harris Works of Art, New York, NY
2004 Get Real: Photorealist Prints From The James W. Hyams Collection, University of Richmond Museums,
Richmond, VA
2003 Everything’s O.K. at O.K. Harris, Brevard Museum of Art and Science, Melbourne, FL
2003 Hyperrealismes Americains, Musee d’Art Moderne et Contemporain, Strasbourg, France
2003 Fifth Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA
2003 Just Desserts, Jerald Melberg Gallery, Charlotte, NC
2003 Subject: Object, O.K. Harris Works of Art, New York, NY
2003 Iperrealisti, Chiostro del Bramante, Rome, Italy
2002 Vintage Photorealists, Bernarducci Meisel Gallery, New York, NY
2002 As Real As It Gets: Super Realism and Photo-Realism from the Tucson Museum
of Art and Private Collections, Tucson Museum of Art, Tucson, AZ
2002 Fourth Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA
2002 Photorealism: The Liff Collection, Naples Museum of Art, Naples, FL
2001 Subject Matters: An Exhibition of Subject-Driven Art, Kravets/Wehby Gallery, New York, NY
2001 This Is America: American Photorealists, Aarhus Kunstmuseum, Arhus, Denmark
2001 Contemporary American Realism III, M.A. Doran Gallery, Tulsa, OK
2001 Illusion and Reality: Hyperrealism Paintings in Korea and America, Samsung Museum of Modern
Art, Seoul, Korea
2001 Interiors Observed, Bernarducci Meisel Gallery, New York, NY
2000-01 A Century of the American Dream,Aichi Prefectural Museum of Art, Nagoya; Hyogo Prefectural
Museum of Modern Art, Kobe, Japan
2000 The Photorealists, Holmes Gallery, Center for the Arts, Vero Beach, FL
2000 O.K. Harris Works of Art, New York, NY
1999-00 Outward Bound: American Art at the Brink of the Twenty-First Century, Meridian International Center, Washington, DC; travelling to: Museum of Fine Arts, Hanoi, Vietnam; Museum of Fine Arts, Ho Chi Minh City, Vietnam; Painting Institute, Shanghai, China; Working People’s Cultural Palace, Beijing, China; Singapore Museum of Art, Singapore; CIPTA Gallery, Jakarta Arts Center, Jakarta, Indonesia
1999 First Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA
1998 Still Life Painting Today: An Invitational Exhibition, Jerald Melberg Gallery, Charlotte, NC
1998 Realism Knows No Bounds, van de Griff Gallery, Santa Fe, NM
1998 Get Real: Contemporary American Realism from the Seavest Collection, Duke University Museum of
Art, Durham, NC
1997 Photorealists, Savannah College of Art and Design, Savannah, GA
1997 Celebrating 50 Years Of Achievement: CSU Sacramento Alumni & Faculty, Solomon Dubnick Gallery, Sacramento, CA
1997 Realism Knows No Bounds, van de Griff Gallery, Santa Fe, NM
1997 Photorealism’s Greatest Hits, Louis Meisel Gallery, New York, NY
1996-97 Private Worlds: 200 Years Of American Still Life Painting, Aspen Art Museum, Aspen, CO
1996 Realism ‘96: Third Annual Realism Invitational, van de Griff Gallery, Santa Fe, NM
1996 CCAC: Past, Present And Future (1906-1996) , Oliver Art Center, California College of Arts and Crafts, Oakland, CA
1996 Realism Knows No Bounds, van de Griff Gallery, Santa Fe, NM
1996 A Survey of Contemporary American Realism, Posco Gallery, Seoul, South Korea
1996 Paper Work, Louis K. Meisel Gallery, New York, NY
1996 Ivan Karp: The Face of Contemporary Art, A Celebration of Forty Years of Fine Arts Dealership, Norton Center for the Arts, Centre College, Danville, KY
1995-96 The Landscape of American Culture,1967-1975, John Berggruen Gallery, San Francisco, CA
1995 Treasures from Florida’s Museums, Florida Museum of History, Tallahassee, FL
1994 Contemporary American Realism, Broden Gallery, Madison, WI
1994-95 New York Realism: Past and Present, Odakyu Museum, Tokyo; Kagoshima City Museum of Art,
Kyushu; Kitakyushu Municipal Museum of Art, Kyushu; Museum of Art, Kintetsu, Osaka; Fukushima Prefectural Museum of Art, Fujushhima; Tampa Museum of Art, Tampa, FL
1993-94 American Realism: The Urban Scene, Selections from the Glenn C. Janss Collection, organized by the
Boise Art Museum, Boise, ID; travelling exhibition
1993 Robert Bechtle + Ralph Goings: A Review of Paintings & Watercolors 25 Years, Louis K. Meisel Gallery, New York, NY
1993 Still-Life: 1963-1993, Gerald Peters Gallery, Santa Fe, NM
1993 Interiors, Tortue Gallery, Santa Monica, CA
1993 Photorealism Since 1980, Louis K. Meisel Gallery, New York, NY
1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, TX
1993 In/Sight: Late 20th-Century Art at the Virginia Museum of Fine Arts, Virginia Museum of Fine Arts,
Richmond, VA
1992 Contemporary American Realism, Broden Gallery, Madison, WI
1992 Photorealism From Nashville Collections, Cheekwood Fine Arts Center, Nashville, TN
1992 The Articulated Thumbprint, Boca Raton Museum of Art, Boca Raton, FL
1991-92 American Realism & Figurative Art: 1952-1990, Miyagi Museum of Art, Sendai, Miyagi,Japan ; traveling to: Sogo Museum of Art, Yokohama;Tokushima Modern Art Museum, Tokushima; Museum of Modern Art, Shiga; Kochi Prefectural Museum of Folk Art
1991-92 Photo-Realism: Revisited, Museum of Art, Fort Lauderdale, FL
1991 Amerikansk Kunst efter 1960, GL. Holtegaard, Denmark
1991 The Heart Of America: The O.K. Harris Collection, Dada Building, Fukuoka City, Japan
1991 Photorealism: The Early Years, Isidore Ducasse Fine Arts, New York, NY
1991 Motion as Metaphor: the Automobile in Art, Virginia Beach Center For The Arts, Virginia Beach, VA
1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, NY
1991 Perspectives on Realism: 1950-1991, Louis Stern Galleries, Beverly Hills, CA
1991 Exguisite Painting, Orlando Museum of Art, Orlando, FL
1991 State of the Art 1991, Parkland College Art Gallery, Champaign, IL
1990 Quickdraw: American Master Drawings Since 1959, Frank Bernarducci Gallery, New York, NY
1990 Styles, Strands & Sequences: American Realist Paintings and Drawings From the Philip Desind Collection, University Gallery, University of Florida, Gainesville, FL
1990 California A to Z and Return, Butler Institute of American Art, Youngstown, OH
1990 Objects Observed: Contemporary Still Life, Gallery Henoch, New York, NY
1990 The Best of Nashville, Downtown Art Gallery, Nashville, TN
1988 Tortue is O.K., Tortue Gallery, Santa Monica, CA
1988 American Realism: Twentieth Century Drawings and Watercolors The Glenn C. Janss Collection, Boise Art Museum, Boise, ID
1987-88 Artists Manipulate Photography: Goings Hockney Warhol, Tampa Museum of Art, Tampa, FL
1987 Realism: The New Generation, R.H. Love Modern, Chicago, IL
1987 Fifty-First National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH
1986-87 The Sturman Collection: Twentieth Century Works on Paper, Tucson Museum of Art, Tucson, AZ
1986-87 Boston Collects: Contemporary Painting and Sculpture, Museum of Fine Arts, Boston, MA
1986 Heinz Celebrates the Tomatoe, Pittsburgh Center for the Arts, Pittsburgh, PA
1985-86 A Decade of American Rea1ism 1975-1985, Wichita Art Museum, Wichita, KS
1985 Realism: Contemporary Americans, Hooks-Epstein Galleries, Houston, TX
1985 Contemporary American Painting from Kentucky Collections, Norton Center for the Arts, Danville, KY
1985-87 American Realism Twentieth-Century Drawings and Watercolors, San Francisco Museum of Modern
Art, San Francisco, CA; travelling exhibition
1985 UPstate DOWNstate, Schoharie County Arts Council Gallery, Cobleskill, NY
1985 Manhattan Artists: The Catskill Scene, Frank W. Cyr Center Gallery, Stamford, NY
1985 American Realism: The Precise Image, Isetan Museum, Tokyo; Daimaru Museum, Osaka, Japan
1985 Innovative Still Life, Holly Solomon Gallery, New York, NY
1985 Photorealist Watercolors, Acme Art, San Francisco, CA
1985 Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, RI; travelling to: San Diego Museum of Art, San Diego, CA; Portland Art Museum, Portland, OR
1985 Focus on Realism: Selections from the Collection of Glenn C. Janss, Boise Gallery of Art, Boise, ID
1984-85 New Realism, Robert I. Kidd Galleries, Birmingham, MI
1984-85 Automobile and Culture, Museum of Contemporary Art, Los Angeles, CA; Detroit Institute of Arts,
Detroit, MI
1984 America Seen: Contemporary American Artists View America, Adams-Middleton Gallery, Dallas, TX
1984 Through the Looking Glass: Reflected Images in Contemporary Art, Heckscher Museum, Huntington, NY
1984 Galerie Jean-Pierre Lavignes, Paris, France
1984 Aspects of Contemporary American Realism, Jerald Melberg Gallery, Charlotte, NC
1984 Autoscape: The Automobile in the American Landscape, Whitney Museum of American Art: Fairfield County, Stamford, CT
1984 The Lewis and Clark Collection, Portland Center for the Visual Arts, Portland, OR
1984 Realists at Work, Harcus Gallery, Boston, MA
1983-84 Contemporary Works on Paper, Frumkin and Struve Gallery, Chicago, IL
1983 O.K. Harris Artists, Royal Palm Gallery, Palm Beach, FL
1983 Icons of Contemporary Art, Foster Goldstrom Gallery, Dallas, TX
1983 O.K. Harris, Eva Cohen Gallery, Highland Park, IL
1983 Contemporary American Realism, Foster Goldstrom Gallery, Dallas, TX
1983 American Works on Paper: 1883-1983, Keny and Johnson Gallery, Columbus, OH
1983 American Super Realism From the Morton G. Neumann Family Collection, Terra Museum of American Art, Evanston, IL; travelling to: Kalamazoo Institute of Arts, Kalamazoo., MI; The Art Center, South Bend, IN; Springfield Art Museum, Springfield, MO; Dartmouth College Museum, Hanover, NH; De Cordova Museum, Lincoln, MA; Des Moines Art Center, Des Moines, IA
1983 Watercolor in America, Joseloff Gallery, Hartford Art School, University of Hartford, Hartford, CT
1983 Realism Now, Museum of Modern Art, Saitama, Japan
1983 Hassam and Speicher Purchase Fund Exhibition, American Academy and Institute of Arts and Letters, New York, NY
1982 Contemporary Arts Center, New Orleans, LA
1982 Stockholm International Art Expo, Stockholm, Sweden
1982 O.K. Harris West, Scottsdale, AZ
1982 Butler Institute of American Art, Youngstown, OH
1982 Contemporary Realism, Brainerd Art Gallery, State University College of Arts and Science, Potsdam, NY
1982-84 American Still Life: 1945-1983, Contemporary Arts Museum, Houston, TX; travelling exhibition
Cleveland Museum of Art, Cleveland, OH
1981 Real, Really Real, Super Real: Directions in Contemporary Realism, San Antonio Museum of Art, San Antonio, TX
1981 Proctor Art Center, Bard College, Annandale-on-Hudson, NY
1981-83 Contemporary American Realism Since 1960, Pennsylvania Academy of Fine Arts, Philadelphia, PA; Virginia Museum of Fine Arts, Richmond, VA; Oakland Museum, Oakland, CA; USICA Sponsored
tour: Gulbenkian Museum, Lisbon, Spain; Germanishes National Museum, Nurenberg, Germany
1980 Realism / Photorealism, Philbrook Art Center, Tulsa, OK
1980 O.K. Harris West, Scottsdale, AZ
1980 Directions in Realism, Danforth Museum, Framingham, MA
1979 America in the 70’s as Depicted by Artists in the Richard Brown Baker Collection, Meadow Brook Art Gallery, Oakland University, Rochester, MI
1978-79 Things Seen, Sheldon Memorial Art Gallery, Lincoln, NE; travelling exhibition
1978 Monmouth Museum, Lincroft, NJ
1978 Photo-Realist Printmaking, Louis K. Meisel Gallery, New York, NY
1978 Art and the Automobile, Flint Institute of Arts, Flint, MI
1978 Representations of America, exhibition organized by the Metropolitan Museum of Art, New York, NY: travelling to: Ministry of Culture, Moscow; Hermitage, Leningrad; Palace of Art, Minsk
1977-78 Illusion and Reality, Australian travelling exhibition: Australian National Gallery, Canberra; Western
Australian Art Gallery, Perth; Queensland Art Gallery, Brisbane; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Victoria, Melbourne; Tasmanian Museum and Art Gallery, Hobart
1977 New Realism: Modern Art Form, Boise Gallery of Art, Boise, ID
1977 John Berggruen Gallery, San Francisco, CA
1977 A View of A Decade, Museum of Contemporary Art, Chicago, IL
1977 New Realism, Jacksonville Art Museum, Jacksonville, FL
1977 Art ‘77: A Selection of Works by Contemporary Artists from New York Galleries, Root Art Center,
Hamilton College, Clinton, NY
1977 Photo-Realists, Shore Gallery, Boston, MA
1977 Works on Paper II, Louis K. Meisel Gallery, New York, NY
1976 The Modern Era: Painting and Sculpture in California, San Francisco Museum of Modern Art, San
Francisco, CA
1976 Aspects of Realism, travelling exhibition sponsored by Rothman’s of Pall Mall Canada Ltd., Stratford,
Ont.; Centennial Museum, Vancouver, BC; Glenbow-Alberta Institute, Calgary, Alta.; Mendel Art Gallery, Saskatoon, Sask.; Winnipeg Art Gallery, Man; Edmonton Art Gallery, Alta.; Art Gallery, Memorial University of Newfoundland, St. John’s; Confederation Art Gallery and Museum, Charlottetown, P.E.I.; Musee d’Art Contemporain, Montreal, Que.; Dalhousie University Museum and Gallery, Halifax, N.S.; Windsor Art Gallery, Ont.; London Public Library and Art Museum; McIntosh Memorial Art Gallery, University of Western Ontario; Art Gallery of Hamilton, Ont.
1976 Art 7 ‘76, Basel, Switzerland
1976 America as Art, National Collection of Fine Arts, Smithsonian Institution, Washington, DC
1976 Perspective 1976, Freedman Gallery, Albright College, Reading, PA
1976 Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
1976 Photo-Realist Watercolors, Neuberger Museum, State University College, Purchase, NY
1976 Contemporary Images in Watercolor, Akron Art Institute, Akron, OH;
Indianapolis Museum of Art, Indianapolis, IN; Memorial Art Gallery of the University of Rochester, Rochester, NY
1976 Today / Tomorrow, Lowe Art Museum, University of Miami, Coral Gables, FL
1976 Urban Aesthetics, Queens Museum, Queens, NY
1976 VI International Print Biennale, Krakow, Poland
1976 American Master Drawings and Watercolors: Works on Paper from Colonial Times to the Present,
Whitney Museum of American Art, New York, NY
1976 American Paintings and Drawings, John Berggruen Gallery, San Francisco, CA
1975-76 Photo-Realism, American Paintings and Prints, New Zealand travelling exhibition: Barrington Gallery, Auckland; Robert McDougall Art Gallery, Christchurch; Academy of Fine Arts, National Art Gallery, Wellington; Dunedin Public Art Gallery, Dunedin; Govett-Brewster Art Gallery, New Plymouth; Waikato Art Museum, Hamilton
1975 Fine Arts Center Gallery, State University of New York, Oneonta, NY
1975 Signs of Life: Symbols in the City, Renwick Gallery, Smithsonian Institution, Washington, DC
1975 Lafayette Natural History Museum and Planetarium, Lafayette, LA
1975 American Realism, Reed College, Portland, OR
1975 Richard Brown Baker Collects, Yale University Art Gallery, New Haven, CT
1975 Realismus und Realitat, Kunsthalle, Darmstadt, West Germany
1975 The New Realism: Rip-Off or Reality?, Edwin A. Ulrich Museum of Art, Wichita
State University,Wichita, KS
1975 Super Realism, Baltimore Museum of Art, Baltimore, MD
1975 Watercolors and Drawings-American Realists, Louis K. Meisel Gallery, New York, NY
1975 A Change of View, Aldrich Museum of Contemporary Art, Ridgefield CT
1975 O.K. Harris Works of Art, New York, NY
1974 California Climate, Root Art Center, Hamilton College, Clinton, NY
1974 Selections in Contemporary Realism, Akron Art Institute, Akron, OH; The New Gallery, Cleveland, OH
1974 Our Land, Our Sky, Our Water: An Exhibition of American and Canadian Art, International Exposition, Spokane, WA
1974 Contemporary American Paintings from the Lewis Collection, Delaware Art Museum, Wilmington, DE
Art 5 ‘74, Basel, Switzerland
1974 Ars ‘74 Ateneum, Fine Arts Academy of Finland, Helsinki, Finland
1974 Kilken naar de Werkeliikheid, Museum Boymans-van Beuningen, Rotterdam, Netherlands
1974 Selections in Contemporary Realism, Akron Art Institute, Akron, OH
1974 Tokyo Biennale ‘74, Tokyo Metropolitan Museum of Art, Tokyo, Kyoto Municipal Museum; Aichi Prefectural Art Museum, Nagoya, Japan
1974 New Photo Realism, Wadsworth Atheneum, Hartford, CT
1974 Hyperrealistes Americains / Realistes Europeens, Centre National d’ Art Contemporain, Paris, France
1974 Amerikaans fotorealisme grafiek, Hedendaagse Kunst, Utrecht; Palais des Beaux-Arts, Brussels
1973-78 Photo-Realism 1973: The Stuart M. Speiser Collection, travelling exhibition: Louis K. Meisel Gallery,
New York, NY; Herbert F. Johnson Museum of Art, Ithaca, NY; Memorial Art Gallery, University of Rochester, Rochester, NY; Addison Gallery of American Art, Andover, MA; Allentown Art Museum,
Allentown, PA; University of Colorado Museum, Boulder, CO; University Art Museum, University of Texas, Austin, TX; Witte Memorial Museum, San Antonio, TX; Gibbes Art Gallery, Charleston, SC; Brooks Memorial Museum, Memphis, TN; Krannert Art Museum, University of Ilinois, Champaign-
Urbana, IL; Helen Foresman Spencer Museum of Art, University of Kansas, Lawrence, KS; Paine Art Center and Arboretum, Oshkosh, WI; Edwin A. Ulrich Museum, Wichita State University, Wichita, KS; Tampa Bay Art Center, Tampa, FL; Rice University, Sewall Art Gallery, Houston, TX; TulaneUniversity Art Gallery, New Orleans, LA; Smithsonian Institution, Washington, DC
1973-74 Hyperrealisme, Galerie Isy Brachot, Brussels, Belgium
1973 Sacramento Sampler #2, E.B. Crocker Art Gallery, Sacramento, CA
1973 East Coast / West Coast / New Realism, University Art Gallery, San Jose State University, San Jose, CA
1973 Image,Reality and Superreality, Arts Council of Great Britain, London, England; travelling exhibition
1973 Iperrealisti americani, Galleria La Medusa, Rome, Italy
1973 Mit Kamera, Pinsel und Spritzpistole, Ruhrfestspiele Recklinghausen, Stadtische Kunsthalle,
Recklinghausen, West Germany
1973 Photo-Realism, Serpentine Gallery, London, England
1973 Amerikanske Realister, Randers Kunstmuseum, Randers, Denmark; Lunds Konsthall, Lund, Sweden
1973 Options 73/30, Contemporary Arts Center, Cincinnati, OH
1973 Hyperrealistes Americans Galerie Arditti, Paris, France
1973 Separate Realities, Los Angeles Municipal Art Gallery, Los Angeles, CA
1973 The Super Realist Vision, DeCordova Museum and Dana Museum, Lincoln, MA
1973 Galleria Civica d’Arte Moderna, Turin, Italy
1973 Americains, Galerie des Quatre Mouvements, Paris, France
1973 Realism Now, Katonah Gallery, Katonah, NY
1972-73 Amerikanischer Fotorealismus, Wurttembergischer Kunstverein, Stuttgart; Frankfurter Kunstverein,
Frankfurt; Kunst und Museumsverein, Wuppertal, West Germany
1972 U.S.A. West Coast, Kunstverein, Hamburg, West Germany
1972 Painting and Sculpture Today 1972, Indianapolis Museum of Art, Indianapolis, IN
California Republic, Govett-Brewster Art Gallery, New Plymouth, New Zealand
1972 Art Around 1970, Neue Galerie der Stadt, Aachen, West Germany
1972 The Realist Revival, New York Cultural Center, New York, NY
1972 Hyperrealistes Americains, Galerie des Quatre Mouvements, Paris, France
1972 Documenta 5, Kassel, West Germany
1972 Phases of the New Realism, Lowe Art Museum, University of Miami, Coral Gables, FL
1972 Sharp-Focus Realism, Sidney Janis Gallery, New York, NY
1972 The State of California Painting, Govett-Brewster Art Gallery, New Plymouth, New Zealand
1971 Radical Realism, Museum of Contemporary Art, Chicago, IL
1971 Directions 3: Eight Artists, Milwaukee Art Center, Milwaukee, WI
1971 U.S.A. West Coast, Kunstverein, Hamburg; Hanover; Cologne; Stuttgart, West Germany
1971 New Realism, Brainerd Hall Art Gallery, State University College, Potsdam, NY
1971 The Shape of Realism, Deson-Zaks Gallery, Chicago, IL
1970 West Coast ‘70 - Painters and Sculptors, E.B. Crocker Art Gallery, Sacramento, CA
1970 Beyond the Actual – Contemporary California Realist Painting, Pioneer Museum and Haggin Galleries, Stockton, CA
1970 Directly Seen: New Realism in California, Newport Harbor Art Museum, Balboa, CA
1970 The Highway, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; Institute for
the Arts, Rice University, Houston, TX; Akron Art Institute, Akron, OH
1970 Cool Realists, Jack Glenn Gallery, Corona del Mar, CA
1969 O.K. Harris Works of Art, New York, NY
1969 Contemporary American Painting and Sculpture, Krannert Art Museum, University of Illinois, Champaign, IL
1969 Directions 2: Aspects of a New Realism, Milwaukee Art Center, Milwaukee, WI; Akron Art Institute, Akron, OH; Contemporary Arts Museum, Houston, TX
1969 Nevada University, Reno, NV
1969 Kingsley Annual, Sacramento, CA
1965 Love Arena Show, Dwan Gallery, Los Angeles, CA
1965 Crocker Art Association Invitational, Sacramento, CA
1965 Kingsley Annual, Sacramento, CA
1964 Sacramento State College, Sacramento, CA
1963 Kingsley Annual, Sacramento, CA
1961 80th Annual Exhibition of the San Francisco Art Institute, San Francisco Museum of Art, San Francisco, CA

Bibliography: Books

Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art, Jennifer Farrell, Yale University Press, New Haven, CT, 2011, p. 26,105,362.
The Passionate Collector: Robert B. Mayer’s Adventures In Art, 2011.
The Martin Z. Margulies Collection of Painting and Sculpture, Martin Z. Margulies Foundation, Miami, FL, 2009.B
American Art at the Flint Institute of Arts, Essay: William H. Gerdts, Flint Institute of Arts, Hudson Hills Press, New York, Manchester, 2004, p.264.
The Not-So-Still Life, A Century of California Painting and Sculpture, Susan Landauer, William H. Gerdts, Patricia Trenton, San Jose Museum of Art, University of California Press, 2003.
California Watercolors: 1850-1970, An Illustrated History & Biographical Dictionary, Gordon T. McClelland and Jay T. Last, Hillcrest Press, CA, 2002.
Realism At The Millennium, Louis K. Meisel and Linda Chase, Harry N. Abrams Inc., NY, NY, 2002.
Art of the 20th Century; A History of Art Year by Year from 1900 to 1999, Jean-Louis Ferrier, Editions du Chene, France, 1999, p.705.
Visual Arts in the 20th Century, Edward Lucie Smith, Laurence King Publishers, London, 1996.
American Realism, Edward Lucie-Smith, Harry N. Abrams Inc., New York, 1994.
Art Since 1940: Strategies of Being, Jonathan Fineberg, Prentice Hall, NJ, 1995.
Baseball: A Treasury Of Art And Literature, Michael Ruscoe, Editor; Hugh Lauter Levin,Ltd.,
Publishers, New York, 1993.
Photorealism Since 1980, Louis K. Meisel, Harry N. Abrams, Inc., New York, 1993.
American Realist Painting 1945-1980, John L. Ward, UMI Research Press, Ann Arbor, MI, 1989.
Ralph Goings, Essay: Linda Chase, Harry N. Abrams Publishers Inc., New York, 1988.
Magic Realism Rediscovered 1918-1981, Seymour Menton, Art Alliance Press, Associated
University Presses, Inc., Philadelphia, PA, 1983.
Realists at Work, John Arthur; Watson-Guptill Publications, New York, 1983.
Super Realist Painting and Sculpture, Christine Lindey, William Morrow & Co., New York, 1980.
Photorealism, Louis K. Meisel, Harry Abrams, New York, 1980.
Art in the Seventies, Edward Lucie-Smith, Phaidon Press, New York, 1980.
Realist Drawings and Watercolors, John Arthur, New York Graphic Arts Society, Boston, MA, 1980.
SoHo, Helene Zucker Seeman and Alanna Siegfried; Neal-Schuman, New York, 1979.
Super Realism, Edward Lucie-Smith; Phaidon, Oxford, England, 1979.
Art America, Mary Ann Tighe and Elizabeth Ewing Lang; McGraw-Hill, New York, 1977.
Art Now: From Abstract Expressionism to Superrealism, Edward Lucie-Smith; William
Morrow, New York, 1977.
Dictionary of Contemporary American Artists, 3rd Edition, Paul Cummings; St. Martin’s Press,
New York, 1977
Why Art, Gregory Battcock; E.P. Dutton, New York, 1977.
American Master Drawings and Watercolors, Theodore E. Stebbins, Jr., Harper & Row, New York, 1976.
Amerikanische Kunst von 1945 bis Heute, Dieter Honisch und Jens Christian Jensen; DuMont Buchverlag, Cologne, West Germany, 1976.
Topics in American Art, Lawrence Alloway; Norton, New York, 1975.
Readings in American Art, 1900-1975, Barbara Rose, Ed.; Praeger, New York, 1975.
Late Modern-The Visual Arts Since 1945, 2nd Edition, Edward Lucie-Smith, Praeger, New York, 1975.
Neue Formen des Bildes, Udo Kultermann; Verlag Ernst Wasmuth; Tubingen, West Germany, 1975.
Art in Context, Jack Hobbs; Harcourt Brace Jovanovich, New York, 1975.
Hyperrealisme, Linda Chase; Rizzoli, New York, 1975.
Super Realism, A Critical Anthology, Gregory Battcock, Ed.; E.P. Dutton, New York, 1975.
L’lperrealismo italo Medusa, Romana Libri Alfabeto; Rome, Italy, 1974.
Who’s Who in American Art, R.R. Bowker, New York, 1973.
Neue Formen des Realismus, Peter Sager; Verlag M. DuMont Schauberg; Cologne, West Germany, 1973.
Hyperrealisme, Isy Brachot, Ed., Imprimeries F. Van Buggenhoudt; Brussels, Belgium, 1973.
New Realism, Udo Kultermann, New York Graphic Society; New York, 1972.
Art Now, New Age, Kodansha Ltd.; Tokyo, Japan, 1972.

Bibliography: Catalogues

Hyper Real, Museum Moderner Kunst Stiftung Ludwig Wien; Brigitte Franzen and Susanne Neuburger, Editors,Verlag der Buchhandlung Walther Konig; Koln, Germany, 2010.
Picturing America: Photorealism in the 1970s, Deutsche Guggenheim, Berlin, Germany; Text: Linda Chase, 2009.
Shock of the Real: Photorealism Revisited, Boca Raton Museum of Art, Boca Raton, FL; Introduction: Valerie Ann Leeds, 2008
Here’s The Thing: The Single Object Still Life, Katonah Museum of Art, Katonah, NY; Text: Robert Cottingham, 2008.
Photorealist Watercolors: The PieperPower Collection, Text: Linda Chase, PPC Partners Inc., Milwaukee, WI, 2007.
I Want Candy: The Sweet Stuff in American Art, Hudson River Museum, Yonkers, NY; Text: Bartholomew F. Bland, 2007.
Photorealism: Cultural Icons, Jonathan Novak Contemporary Art, Los Angeles, CA; Essay: Louis K. Meisel, 2006.
Hyperrealistes Americains, Galerie Patrice Trigano, Paris, France, 2005.
Seeing Photographically: Photorealist Painting, The Sydney and Waldo Bestoff Collection, New Orleans, LA, 2004.
American Photorealism, Iwate Museum of Art, Japan; Text: Louis K.Meisel; Linda Chase, Art Impression Inc., 2004.
Hyperrealismes USA 1965-1975, Musee d’Art Moderne et Contemporain de Strasbourg, Strasbourg, France; Preface: Fabrice Hergott, 2003.
Fifth Annual Realism Invitational, Jenkins-Johnson Gallery, San Francisco, CA; Essay: Paul J. Karlstrom, 2003.
Iperrealisti, Chiostro del Bramante, Viviani Editore, Rome, Italy, 2003.
Fourth Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA; Essay: Robert McDonald, 2002.
Flint Institute of Art Annual Report 2001-2002, Flint, MI, (illustration) 2002, p.13.
Outward Bound: American Art at the Brink of the Twenty-First Century, Meridian International Center, Washington, DC; Introduction: Nancy Matthews, William Dunlap, Pamela Maslansky; 1999.
First Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA; Essay: Peter Frank, 1999.
Get Real: Contemporary American Realism from the Seavest Collection, Duke University Museum of Art, Durham, NC; Virginia Anne Bonito, 1998.
Photorealists, Savannah College of Art and Design, Savannah, GA; Essay: Judith Van Baron, Ph.D., 1997.
Private Worlds: 200 Years Of American Still Life Painting, Text: Julia Augur and Ann Daley, Aspen Art Museum, Aspen, CO, 1996.
A Survey of Contemporary American Realism, Posco Gallery, Seoul, South Korea, 1996.
New Art In An Old City/2, Virlane Foundation and K&B Corporation Collections, Essay: Edward Lucie-Smith, New Orleans, LA, 1994.
Ralph Goings, A Retrospective View of Watercolors: 1972-1994, Jason McCoy Inc., New York, NY; Introduction: Dr. Gerald Silk, 1994.
New York Realism: Past and Present, travelling exhibition organized by Kitakyusha Municipal Museum of Art, Japan; Text: Douglas Dreishpoon, 1994.
Still-Life: 1963-1993, Gerald Peters Gallery, Santa Fe, NM; Text: John Arthur, 1993.
Amerikansk Kunst Efter 1960, GL. Holtegaard, Denmark; Introduction: Axel Bolvig, 1991.
American Realism & Figurative Art: 1952-1990, Miyagi Museum of Art, Sendai, Miyagi, Japan, 1991.
Photorealism: The Early Years, Isidore Ducasse Fine Arts, New York, NY, 1991.
In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, NY; Introduction: Constance Schwartz, 1991.
Exquisite Paintings, Orlando Museum of Art, Orlando, FL; Essay: Gerrit Henry, 1991.
State Of The Art 1991, A Biennial National Watercolor Invitational, Parkland College Art
Gallery, Champaign, IL,; Essay: Harold Gregor, 1991.
California A-Z And Return, Butler Institute of American Art, Youngstown, OH; Introduction: Louis Zona, 1990.
Styles, Strands & Sequences: American Realist Paintings & Drawings from the Collection of
Philip Desind, (Essay), University of Florida, Gainesville, FL; John L. Ward, 1990.
Fifty-First National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH;
Louis A. Zona, 1987.
The Sturman Collection, Twentieth-Century Works on Paper, Tucson Museum of Art, Tucson, AZ; Introduction: Ivan C. Karp, 1986.
Boston Collects: Contemporary Painting and Sculpture, Museum of Fine Arts, Boston, MA;
Theodore E. Stebbins, Jr.; Judith Hoos Fox, 1986.
A Decade of American Realism: 1975-1985, Wichita Art Museum, Wichita, KS; Essay: Howard DaLee Spencer, 1985.
American Realism Twentieth-Century Drawings and Watercolors from the Glenn C. Janss Collection, San Francisco Museum of Modern Art; Text: Alvin Martin; San Francisco Museum of Modern Art/Harry N. Abrams Publishers, New York, 1985.
American Realism: The Precise Image, Isetan Museum of Art, Tokyo, Japan; Text: John Arthur; The Asahi Shimbun, Publishers, 1985.
Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, RI; Foreword: Franklin W. Robinson, 1985.
America Seen: Contemporary American Artists View America, Adams Middleton Gallery, Dallas, TX, 1984.
Super Realism From The Morton G. Neumann Family Collection, Terra Museum of American Art, Evanston, IL, 1983.
Realism Now, Museum of Modern Art, Saitama, Japan, 1983.
Real, Really Real, Super Real: Directions in Contemporary Realism, San Antonio Museum of Art, San Antonio, TX; Introduction: Sally Boothe-Meredith, 1981.
Contemporary American Realism Since 1960, Pennsylvania Academy of Fine Arts,
Philadelphia, PA; Frank Goodyear; New York Graphic Society, 1981.
Directions in Realism, Danforth Museum, Framingham, MA, 1980.
America in the 70’s as Depicted by Artists in the Richard Brown Baker Collection, “As Artists See It: America in the 70s”: Charlotte Stokes; Meadow Brook Art Gallery, Oakland University, Rochester, MI; Charlotte Stokes, 1979.
Art and the Automobile, Flint Institute of Arts, Flint, MI; Foreword: Stuart G. Hodge, 1978.
The Complete Guide to Photo-Realist Printmaking, Louis K. Meisel Gallery, New York, NY; Introduction: Susan Pear Meisel, 1978.
Illusion and Reality, Australian Gallery Directors’ Council, North Sydney, N.S.W.; Introduction: John Stringer, 1977.
New Realism: Modern Art Form, Boise Gallery of Art, Boise, ID; Introduction: Ivan C. Karp, 1977.
A View Of A Decade, Museum of Contemporary Art, Chicago, IL; Martin Friedman, Robert PincusWitten, Peter Gay, 1977.
New Realism, Jacksonville Art Museum, Jacksonville, FL; Bruce Dempsey, 1977.
Today/Tomorrow: Selected Contemporary Artists, Lowe Art Museum, University of Miami, Miami, FL; Preface: John J. Baratte, 1976.
Aspects of Realism, Rothman’s of Pall Mall Canada, Ltd., “U.S.A.”, Linda Chase, 1976.
Art 7 ‘76, Basel, Switzerland; Dr. Frederic P. Walthard, 1976.
America as Art, National Collection of Fine Arts, Smithsonian Institution, Washington, DC;
Introduction: Joshua C. Taylor, 1976.
Urban Aesthetics, Queens Museum, Flushing, NY; Janet Schneider, 1976.
Contemporary Images in Watercolor, Akron Art Institute, Akron, OH; Robert Doty, 1976.
Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC;
Introduction: Gilbert Carpenter, 1976.
Perspective 1976, Freedman Art Gallery, Albright College, Reading, PA, 1976.
Super Realism, Baltimore Museum of Art, Baltimore, MD; Introduction: Brenda Richardson, 1975.
Richard Brown Baker Collects, Yale University Art Gallery, New Haven, CT; Introduction:
Theodore E. Stebbins, Jr., 1975.
Realismus und Realitat, Kunsthalle, Darmstadt, West Germany; Introduction: Bernd Krimmel, 1975.
A Change of View, Aldrich Museum of Contemporary Art, Ridgefield, CT; Introduction:
Carlos Dyer, 1975.
Our Land, Our Sky, Our Water: An Exhibition of American and Canadian Art, International
Exposition, Spokane, WA; Introduction: Alfred Frankenstein, 1974.
Contemporary American Paintings from the Lewis Collection, Delaware Art Museum, Wilmington, DE; Introduction: Charles Wyrick, Jr., 1974.
Art 5 ‘74, Basel, Switzerland; Foreword: Dr. Frederic P. Walthard, 1974.
Ars ‘74 Ateneum, Fine Arts Academy of Finland, Helsinki; Introduction: Saline Sarajas-Korte, 1974.
Kilken naar de Werkelilkheid, Museum Boymansvan Beuningen, Rotterdam, 1974.
Kunst nach Wirklichkeit, Kunstverein Hannover, West Germany; Introduction: Wolfgang Becker, 1973.
Hyperrealisme, Galerie Isy Brachot, Brussels, Belgium, 1973.
Selections in Contemporary Realism, Akron Art Institute, Akron, OH; Introduction: Robert Doty;
Preface: Philip Comfort, 1974.
New Photo-Realism, Wadsworth Atheneum, Hartford, CT, Jack Cowart, 1974.
Hyperrealistes Americains-Realistes Europeens, Centre National d’Art Contemporain, Paris,
France; Jean Clair, Daniel Abadie, Wolfgang Becker, Pierre Restany, 1974.
Tokyo Biennale ‘74, Tokyo Metropolitan Museum of Art, Tokyo, Japan; “Photo-Realism”, Linda Chase, 1974.
Amerikaans Fotorealisme Grafiek, Hedendaagse Kunst, Utrecht, 1974.
Kunst nach Wirklichkeit, Kunstverein Hannover, West Germany; Introduction: Wolfgang Becker, 1974.
Sacramento Sampler #2, E.B. Crocker Art Gallery, Sacramento, CA, 1973.
Realism Now, Katonah Gallery, Katonah, NY; Introduction: Patterson Sims, 1973.
East Coast/West Coast/New Realism, University Art Gallery, San Jose State University, San Jose, CA; Introduction: Bruce Radde, 1973.
Reality and Superreality, Arts Council of Great Britain; Introduction: Edward Lucie-Smith, 1973.
The Super Realist Vision, DeCordova and Dana Museum, Lincoln, MA; Foreword: Carlo M. Lamagna, 1973.
Hyperrealistes Americains, Galerie Arditti, Paris, France; Introduction: Carroll Edwards Hogan, 1973.
Separate Realities, Los Angeles Municipal Art Gallery, Los Angeles, CA; Notes: Laurence Dreiband, Foreword: Curt Oplinger, 1973.
Grands maitres hyperrealistes americains, Galerie des Quatre Mouvements, Paris, France; Introduction: Salvador Dali, 1973.
Realisti iperrealisti, Galleria La Medusa, Rome, Italy, 1973.
Options 73/30, Contemporary Arts Center, Cincinnati, OH; Introduction: Jack Boulton, 1973.
Combattimento per un’immagine, Galleria Civica d’Arte Moderna, Turin, Italy, 1973.
Photo-Realism 1973: The Stuart M. Speiser Collection, Herbert F. Johnson Museum of Art,
Cornell University, Ithaca, NY, Louis K. Meisel, 1973.
Mit Kamera, Pinsel und Spritzpistole, Ruhrfestspiele Recklinghausen, West Germany;
Introduction: Wolfgang Becker, 1973.
Photo-Realism, Serpentine Gallery, London, England; Introduction: Lawrence Alloway, 1973.
Amerikanischer Fotorealismus, Wurttembergischer Kunstverein, Stuttgart, West Germany;
Introduction: Uwe Schneede, Heinz Hoffman, 1972.
The Realist Revival, New York Cultural Center, New York, NY; Scott Burton, 1972.
1972 U.S.A. West Coast, Kunstverein, Hamburg, West Germany; Introduction: Helmut Heibenbuttel, 1972.
Painting and Sculpture Today 1972, Indianapolis Museum of Art; Indianapolis, IN;
Introduction: Richard L. Warrum, 1972.
California Republic, Govett-Brewster Art Gallery, New Plymouth, New Zealand; Michael Walls, 1972.
Phases of the New Realism, Lowe Art Museum, University of Miami, Coral Gables, FL; John J. Baratte,
Paul E. Thompson, 1972.
Art Around 1970, Neue Galerie der Stadt Aachen, West Germany, 1972.
Documenta 5, Neue Galerie and Museum Fridericianum, Kassel, West Germany;
Introduction: Jean Christophe Amman, 1972.
Hyperrealistes Americains, Galerie des Quatre Mouvements, Paris, France; Introduction: Daniel Abadie, 1972.
Directions 3: Eight Artists, Milwaukee Art Center, John Lloyd Taylor, 1971.
FTD Collection, Preface: Jesse G. Wright, Michael C. Wright; Introduction: John L. Bodette; Thorner-Sidney Press, Buffalo,NY, 1971.
Radical Realism, Museum of Contemporary Art, Chicago, IL; Introduction: Ivan C. Karp, 1971.
New Realism, Art Gallery, Brainerd Hall, State University College, Potsdam, NY; Benedict Goldsmith, 1971.
West Coast ‘70 - Painters and Sculptors, E.B. Crocker Art Gallery, Sacramento, CA, 1970.
Directly Seen-New Realism in California, Newport Harbor Art Museum, Balboa, CA, 1970.
The Highway, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA;
Introduction: Denise Scott Brown, Robert Venturi, 1970.
Beyond the Actual-Contemporary California Realist Painting, Pioneer Museum and Haggin Galleries, Stockton, CA; Introduction: Donald Brewer, 1970.
Directions 2: Aspects of a New Realism, Milwaukee Art Center, Milwaukee, WI; Introduction: John Lloyd Taylor, Tracy Atkinson, 1969.
Contemporary American Painting and Sculpture, Krannert Art Museum, University of Illinois, Champaign-Urbana, IL; Introduction: James R. Shipley, Allen S. Weller, 1969.

Bibliography: Periodicals

The Art Economist, “Profiles: 18 Artists”, Volume 1/Issue 9/ 2011, p.31.
Magazin des Museum Moderner Kunst Stiftung Ludwig Wien,“Mit der Kamera malen”, Ursula Maria Probst, Oktober 2010-Februar 2011, p.5,6.
Art & Antiques, “Picture This”, Sheila Gibson Stoodley, May 2010, p.69.
Deutsche Guggenheim Magazine, “In The Republic of Realism”, Mark Gisbourne, Spring 2009,p.8-13.
Art & Antiques, “The Two Sides Of Photorealism” Joseph Jacobs, April 2008, p.71-81.
Art + Auction, “Keeping It Real”, Philip Gefter, January 2008, p.88-89.
Airstream Life, “Airstream Artists”, Daisy Welch, Spring 2006, p.37.
Art in America, “Report From Strasbourg: Reality Show”, Daniel Belasco, March 2004, p.55.
ARTnews, “National Reviews: Fifth Annual Realism Invitational, Jenkins Johnson Gallery”, Margaret Lee, September 2003, p.139.
Art & Antiques Magazine, “Alternate Realities”, Bobbie Leigh, Summer 2003, p.67-71.
Artforum, Cover, Summer 2003.
Art Actuel (Paris), “Au-dela du reel”, Isabelle Palmi, Juill/Aout 2003.
Arte (Milan), “Le tendenze di una provocazione”, (photo), Anna Caterina Bellati, Mai 2003.
Harper's Magazine, Cover, December 1999.
Art Letter, Crocker Art Museum, “CSUS/50”, September/October 1997, p.5.
Watercolor, “The Watercolors of Ralph Goings”, John Parks, Fall 1996, p.68-73.127.
ARTnews, “Review: Ralph Goings, Jason McCoy”, Anastasia Aukeman, September 1994, p.168.
Art Papers, “Reviews, Florida; The Articulated Thumbprint”, Ronnie Greenspan, July/August 1992, p.46.
ARTnews, “Don Celender/O.K. Harris”, Ruth Bass, March 1992, p.29
Art In America, “Freeze Frame”, Richard Kalina, March 1992, p.106-109, 137.
Ars Nova, Vol.5 (Tokyo), May 1991, p.9.
Art & Antiques, “The Dealer As Collector”, March 1991, p.96.
Architectural Digest, “A Photorealist’s Farmhouse”, Carter Ratcliff, June 1988, p.134-139.
Idaho Arts Journal, “Boise Art Museum: A Bold Stroke”, Jeanette Ross, March/April 1988
Art & Antiques, “I Say Tomatoe”, Jeffrey Schaire, May 1986, p.80-85.
Tokyo Journal, “Art: Seeing is Believing”, Amaury Saint-Gilles, August 1985, p.68.
Liberation (Paris), “Les hyper-duettistes’, H.F. Debailleux, June 20, 1984, p.35.
Beaux Arts Magazine, “Paris: Richard McLean et Ralf Goings”, June 1984.
Connaissance des Arts, “France: Toujours un peu plus vrai”, June 1984, p.25.
Art Express, “Realisms”, John Perreault, March/April 1982, p.34-82.
Life, “The Lonely Look of American Realism”, October 1980, p.74-82.
Art in America, “Review”, Pepe Karmel, May 1980, p.151-152.
American Artist, “Techniques of Three Photo-Realists”, Jane Cottingham, February 1980, p.61-65,95-96.
The Barat Review, (Vol.7,No.1), “Painting From the Photograph: A Modern American Realism”,
Diane Levine Jadwin, 1979.
American Art Review, “New Realism and the Photographic Look”, Alwynne Mackie, November 1978,
p.72-79,132-134.
Town and Country, “Art and Antiques: The New Realists”, Helen Harris, October 1978, p.242,244,246-47.
Art Aktuell, (Cologne), Willie Bongard, April 1978.
Cue, “Art and the Passionate Collector”, Estelle Schwartz, December 1977, p.7-11.
Quadrant, “The New Realism”, Elwyn Lynn, September 1977.
Jacksonville Journal (FL) , “New Realism at Museum Arouses Mixed Feelings”, Elihu Edelson, February 1977.
Arts Canada, “Toward a Definition of Realism: Reflections on the Rothinan’s Exhibition”, Mark Greenwood, Vol.XXIV,No.210-11, December/January 1977, p.6-23.
New Art Examiner, “Realism”, K.M.; November 1976.
Interview Magazine, “C.J. Yao”, Vincent Fremont, October 1976, p.36.
Art International, “Photo-Realism: Post Modernist Illusionism”, Linda Chase, Vol.XX,No.3-4, March/April 1976, p.14-27.
Artforum, “Books, Super-Realism: A Critical Anthology”, Phil Patton, Vol.XIV,No.5, January 1976, p.52-54.
Art and Artists, “The Neutral Style”, Edward Lucie-Smith, Vol.10,No.5, August 1975, p.6-15.
View Magazine, “Photo-Realists at Paine”, April 27, 1975.
Progresso fotografico, December 1974, p.61-62.
Architectural Digest, “The Super Realists”, Stephen Spector, November/December 1974, p.85.
Newsweek, “Summing Up the Season”, Douglas Davis, July 1, 1974, p.73.
Camera 35, “From Today Painting Is Dead”, A.D. Coleman, July 1974, p.34,36-37,78.
Arts Magazine, “An Omnivorous and Literal Dependence”, Robert Hughes, June 1974, p.25-29.
Argus de la Presse, “Situation des realismes”, Jean Clair, April 1974.
Arts Magazine, “The Connotation of Denotation”, Linda Chase, February 1974, p.38-41.
Arts Magazine, “Photographic Illusionist Prints”, John Loring, February 1974, p.42-43.
Arts Magazine, “Stuart M. Speiser Collection”, Jane Bell, December 1973, p.57.
Artforum, “Reviews”, Lizzie Borden, October 1973.
Art Gallery Magazine, “Recycling Reality”, Linda Chase, October 1973, p.75-82.
Art Gallery Magazine, “Stuart M. Speiser Photorealist Collection”, Judy Beardsall, Vol.XVII,No.1,
October 1973, p.5.29-34.
Art in America, “New York Reviews”, Peter Schjeldahl, September/October 1973, p.111-112.
Art Now Gallery Guide, September 1973, p.1-3
Art and Artists, “New York”, Gregory Battcock, August 1973, p.48.
ARTnews, “Reviews and Previews”, Peter Frank, Vol.72,No.6, Summer 1973.
IZW Illustrierte Wochenzeitung, “Foto Realismus”, No.14, June 1973, p.8-10.
Opus International, “The New Realism: A Synthetic Slice of Life”, Kim Levin, No.44-45, June 1973, p.28-37.
Opus International, “Interviews with Robert Bechtle, Tom Blackwell, Chuck Close, Richard
Estes and John Salt”, Linda Chase and Ted McBurnett, No.44-45, June 1973, p.38-50
Art International, “Ars ‘74/Helsinki”, Mat 1974, p.38-39.
Architectural Review, “The Photograph as Subject”, Robert Melville, Vol.CLIII,No.915, May 1973, p.329-333.
Arts Review, “Photo-Realism”, Pat Gilmour, Vol.25, April 21, 1973, p.249
Le Monde des Grandes Musigues, “L’Hyperrealisme americain”, No.2, March/April 1973, p.4,56-57.
Ii Margutta (Rome) , “Iperrealismo: la coagulazione dell’effimero”, Luciano Marziano, No.3-4, March/April 1973.
Illustrated London News, “Super Realism from America”, Edward Lucie-Smith, March 1973.
Louisiana Revy, “Kunstmiljoeti Rhinlandet”, Oysten Hjort, Vol.13, No.3, February 1973.
Tribuna Letteraria, “Arrivano gli iperrealisti”, E.D.G., February 1973.
ARTnews, “A Realist Twin Bill”, Gerrit Henry, January 1973, p.26-28.
Art in America: Special Issue-Photo Realism, “The Photo Realists: Twelve Interviews”, Linda Chase, Nancy Foote, Ted McBurnett, p.73-89; “The Real and the Artificial”, William C. Seitz, p.58-72; “Painting of the New Environment”, Brian O’Doherty, Vol.60,No.6, November/December 1972.
NAC, (Milan), “Iperrealisti americani”, Giovanni Lista, No.12, December 1972, p.24-25.
Arts Magazine, “Rent Is The Only Reality, or the Hotel Instead of the Hymm”, Ivan C. Karp, December 1972, p.47-51.
Artforum, “Cosmologies”, Lizzie Borden, October 1972, p.45-50.
New York Magazine, “Wish You Were Here”, September 25, 1972.
Zeit Magazin, “Documenta Issue”, No.31/4, August 1972, p.4-15.
Stern Magazin, “Die Kasseler Seh-Schule”, No.36, August 1972, p.20-23.
Art International, “The Real Thing”, Gerrit Henry, Summer 1972, p.87-91.
Arts Magazine, “Documenta 5: A Critical Preview”, Bruce Kurtz, Summer 1972, p.34-41.
Newsweek, “Art Is Unnecessary. Or Is It?”, Douglas Davis, July 17, 1972, p.68-69.
Connaissance des Arts, “La revolte des realistes”, E. Wasmuth, June 1972, p.118-123.
Flash Art, “Realismus”, Jean Christophe Amman, May-July 1972, p.50-52.
Art in America, “New York Reviews”, Dave Hickey, March/April 1972, p.116.
Arts Magazine, “In the Galleries”, Denise Woliner, March 1972, p.57.
Bolaffiarte, “Super Realisti U.S.A.”, Lucio Pozzi, No.18, March 1972, p.54-63.
Mademoiselle, “Sharp Focus Realism”, Leo Lerman, March 1972, p.170-173.
Art International, “New York Letter”, Carter Ratcliff, Vol.XVI,No.3, March 1972, p.28-29.
The New Yorker, “The Art World”, Harold Rosenberg, February 5, 1972, p.88-93.
Art In America, “Previews”, Grace Glueck, January/February 1972, P.39.
Magazin Kunst, “Neue Formen des Realismus”, Peter Sager, 4th Quarter 1971, p.2512-2516.
Art International , ‘‘The Deductive Image: Notes on Some Figurative Painters”, J.Patrice Marandel,
September 1971, p.58-61.
ARTnews, “Reviews and Previews”, Sherry Nordstrom, Vol.69, No.7, November 1970, p.20.
Artforum, “New York Reviews: Ralph Goings”, Jean-Louis Bourgeois, November 1970, p.87.
Art International, “Lettre de New York”, J. Patrice Marandel, Vol.XIV,No.9, November 1970, p.71.
The National Observer, “The Art Picture: Photos, Trucks, Blood - These Are Galleries?”, Bill Marvel,
October 5, 1970.
Art in America, “New York Gallery Notes”, Grace Glueck, September 1970, p.42.
Artforum, “A Variety of Realisms”, Sidney Tillim, Summer 1969, p.43.

Bibliography: Newspapers

Miami Herald, “The camera’s eye: Photorealist paintings provide snapshots of everyday life”, Emma Trelles, February 8, 2009.
Palm Beach Post, “The Boca Museum’s Big Winter Show: A Photorealism Retrospective”, Larry Ayalette, December 12, 2008.
New York Sun, “Museums: Sweet Seduction In Varied Forms”, John Goodrich, August 2, 2007.
Saarbrucker Zeitung (Saarbrucken), “Dem Foto unter die Haut gemalt”, Christina Stein, 18 Septembre 2003.
New York Times, “The New Season: Art”, September 7, 2003, p.101.
Le Monde (Paris), “Une critique toujours active, relayee par une nouvelle generation”, 16 Aout 2003.
Frankfurter Allgemeine (Frankfurt/Main), “Die Freiheit hinter den Gartenzauner”, Karin Leydecker, 21 Juillet 2003.
Liberation (Paris), “Rescapes D’Amerique”, 11 Juillet 2003.
Hebdoscope (Strasbourg) “Hyperrealismes USA 1965-75 au Mamcs”, 18 Juin/1 Juillet 2003.
Arizona Daily Star, “Pretty As A Picture”, Kathleen Allen, June 23, 2002, p.D.1,6.
Charlotte Observer, “See yesterday’s still life at Mint, today’s at Melberg”, Tom Patterson, February 22, 1998, p.2F.
Creative Loafing (Charlotte, NC), “Still-Life Magic”, Jane Grau, February 14, 1998, p.12.
Charlotte Observer, “Melberg Gallery show redefines still lifes”, Lawrence Toppman, January 26, 1998, p.4F.
Sacramento Bee, “CSUS shows off its artists”, Victoria Dalkey, October 19, 1997.
Sacramento Bee, “Art: Framing a birthday bash”, Victoria Dalkey, September 28, 1997.
The Capital Times, (Madison, WI), “This art’s for real, and easy for the eye”, Kevin Lynch, April 28, 1994, p.1,3E.
Houston Chronicle, “Lush watercolor works support artistic visions”, Patricia C. Johnson, March 27, 1993, p.1D.
Nishinippon Newspaper, (Fukuoka City, Japan), “Quest New Realism”, Yoshihiro Kinoshita, November 27, 1991.
Newsday, “It’s Not Real, It’s Super-Realism!”, Karin Lipson, April 26, 1991, p.85.
Champaign-Urbana News-Gazette, (Champaign, IL), “Quality is common denominator”, Gisele Atterberry, February 16, 1991, p.C-l.
Times-Picayune, (New Orleans, LA), “Art: Paintings of photographs: reality of realism”, Roger Green, June 22, 1990, p.13.
The Tennessean, “Contemporary art on display at galleries”, January 24, 1990.
Idaho Statesman, “Museum opens with major realist exhibition”, Judy McConnell Steele, April 24, 1988.
St. Petersburg Times, “Tampa’s new stunners”, Charles Benbow, May 9, 1986, p.D1.
Southern Connecticut News, “America on wheels: Whitney show explores our paved-over paradise”,
Philip Eliasoph, April 8, 1984.
The Post (West Palm Beach, FL) , “Is What You See All You Get From Illusionist Art?”, Gary Schwan, February 26, 1984.
Miami Herald, “Making Art on a Big Scale”, Helen Kohen, February 19, 1984.
Staten Island Sunday Advance, “American Academy has double feature”, Byron Belt, November 20, 1983.
Hartford Courant, “Handsome watercolors at U of H’s Joseloff Gallery”, Bernard Hanson, November 13, 1983.
New York Times, “Review”, March 14, 1980.
Washington Post, “Art Show No.3 at Vice President’s House”, Paul Richard, April 5, 1979, p.D8.
New York Times, “Notes on People: ‘Truck’ at the Mondales Not Driving Them up a Wall”, April 5, 1979.
Milwaukee Sentinel, “Super Realism Proves a Super Bore”, Dean Jensen, December 1, 1978.
Washington Post, “New Smithsonian Art: From ‘The Sublime’ to Photo Realism”, Paul Richard, November 30, 1978, p.G21.
Wall Street Journal, “If Your Taste in Art Runs to the Bizarre, O.K. Harris is O.K.”, Elizabeth Sanger, August 18, 1978, p.1,29.
Houston Post, “Review: Photo-Realism”, Mimi Crossley, December 9, 1977.
Sunday Mail (Brisbane), “Just Like the Real Thing”, Ralph Phillips, September 11, 1977.
Sydney Morning Herald, “In Selecting a Common Domestic Object”, Nancy Borlase, July 30, 1977.
The Australian (Brisbane), “I Am Almost a Camera”, Sandra McGrath, July 27, 1977.
Sydney Morning Herald, “Art”, Nancy Borlase, December 30, 1976.
Washington Star, “The New Realism, Paintings Worth 1,000 Words”, Benjamin Forgey, November 30, 1976, p.G24.
SoHo Weekly News, “Getting Flack”, John Perreault, April 22, 1976, p.19.
Wall Street Journal, “Strawberry Tarts Three Feet High”, Manuela Hoelterhoff, April 21, 1976.
Newsday, (Long Island, NY), “The Artistic Eye Takes a New Look at the Cityscape”, Malcolm Preston, February 19, 1975, p.11.
Portland Oregonian, “Realism in Art Returns with Camera’s Clarity”, Roger Hull, September 14, 1975.
San Francisco Chronicle , ‘‘A Wide View of the New Realists”, Thomas Albright, February 6, 1975, p.38.
L’Humanite, “Les Hyperrealistes americains et la neutralisation du reel”, Raoul-Jean Moulin, March 21, 1974.
Christian Science Monitor, “Pop Art Inspired Objective Realism”, Mary Lou Kelley, March 1, 1974.
Le Nouvel Observateur, “Plus vrai que nature Bernard Teyssedre”, February 25-March 3, 1974, p.59.
Le Monde, “La mondialisation de l’hyperrealism”, Jacques Michael, February 24, 1974.
International Herald Tribune , ‘‘Paris Show Asks a Question: What Is Reality?”, Michael Gibson, February 23-24, 1974, p.7.
Rochester Democrat and Chronicle, “Paintings That Look Like Photos”, Sally Walsh, January 17, 1974.
Saturday Times-Union, (Rochester, NY), “Flowers, Planes and Landscapes in New Art Exhibits”,
January 5, 1974.
Corriere della Sera, “Il gusto controverso degli iperrealisti”, Vittorio Rubiu, February 25, 1973.
La Voce Republicana, “Tra manifesto e illustrazione sino al rifiuto della scelta”, Vito Apuleo, February 24, 1973, p.S.
Rinascita, “Iperrealismo tra ‘pop’ e informale”, Antonio del Guercio, February 23,
1973, p.34.
Die Welt, “Rom-offene Stadt fur die Kunste”, Felix H. Man, February 19, 1973.
Sette Giorni, “Nel vuoto di emozioni”, Rina G. LaMesa, February 18, 1973, p.31.
International Herald Tribune, “European Galleries”, February 17-18, 1973, p.6.
Il Messaggiero, “Arte/Piu brutto del brutto”, Arturo di Bovi, February 13, 1973, p.3.
Unita, “La ricerca degli iperrealisti”, Dario Micacchi, February 12, 1973.
Momento-sera, “Iperrealisti americani alla Medusa”, Lorenza di Trucchi, February 9-10, 1973, p.8.
Daily American (Rome), “A ‘hyperrealist’ U.S. tour at La Medusa”, John Hart, February 8, 1973.
Avanti, “Riproduce la vita di ogni giorno la nuova pittura americano”, Sandra Giannattasio, February 8, 1973, p.1.
Le Monde, “Le Super-realisme”, Jacques Michael, February 6, 1973, p.23.
Il Globo, “Non fatevi sfuggire”, Letizia Maraini, February 6, 1973, p.8.
Los Angeles Times, “New Realism: Crisp Focus on the American Scene”, Henry J. Seldis, January 21, 1973, p.54.
L’Humanite, “Hyperrealistes americains”, RaoulJean Moulin, January 16, 1973.
Argus de la Presse, “Arts: les expositions a New York”, January 4, 1973.
Argus de la Presse, “Hyperrealistes americains”, November 16, 1972.
Argus de la Presse, “L’Hyperrealisme ou le retour aux origines”, October 16, 1972.
National Observer, “Saggy Nudes? Giant Heads? Make Way for ‘Superrealism’”, Bill Marvel, January 29, 1972, p.22.
New York Times, “These Must Have Been a Labor of Love”, Gene Thornton, January 23, 1972.
New York Times, “And Now, Pop Art: Phase II”, Hilton Kramer, January 16, 1972.

Selected Collections:

Museum of Modern Art, New York, NY
Solomon R. Guggenheim Museum, New York, NY
Whitney Museum of American Art, New York, NY
Museum of Contemporary Art, Chicago, IL
Flint Institute of Arts, Flint, MI
Portland Museum of Art, Portland, OR
Virginia Museum of Fine Arts, Richmond, VA
Tampa Museum of Art, Tampa, FL
Sheldon Art Museum, Lincoln, NE
Rose Art Museum, Brandeis University, Waltham, MA
Yale University Art Gallery, New Haven, CT
Virlane Foundation, New Orleans, LA

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