John Baeder

Solo Exhibitions:

2013 Mason Murer Fine Art, Atlanta, GA
2012 John Baeder-Photographs, Georgia Museum of Art, Athens, GA
2011 John Baeder’s American Roadside, Galerie Rive Gauche-Marcel Strouk, Paris, France
2009 American Roadside: Early Photographs, Thomas Paul Fine Art, Los Angeles, CA
2009   American Roadside: Early Photographs, Thomas Paul Fine Art, Los Angeles, CA
2009   John Baeder Photographs: Work Prints, (February); John Baeder Photographs: Vintage Signs and Nashville, The Early 80s (March);  John Baeder’s American Roadside (April), The Arts Company, Nashville, TN            
2008    O.K. Harris Works of Art, New York, NY
2007-09 Pleasant Journeys And Good Eats Along The Way, A Retrospective Exhibition of Paintings By John Baeder, Morris Museum of Art, Augusta, GA; traveling to: Gibbes Museum of Art; Asheville Art Museum; Tennessee State Museum
2006 Plus One Gallery, London, England
2005 Diners, Galerie Patrice Trigano, Paris, France
2004 Los Angeles Taco Trucks, Mission San Juan Capistrano Gallery, Mission San Juan Capistrano, CA
2004 The Early Eighties,(watercolors), Cumberland Gallery, Nashville, TN
2003 Los Angeles Taco Trucks,(watercolors), Paul Kopeikin Gallery, Los Angeles, CA
2003 O.K. Harris Works of Art, New York, NY
2000 O.K. Harris Works of Art, New York, NY
1999 Ryman Auditorium, Nashville, TN
1997-98 Cumberland Gallery, Nashville, TN
1997 Sign Language: Photographs, Nation’s Bank Plaza Galleria, Atlanta, GA
1997 O.K. Harris Works of Art, New York, NY
1996 Sign Language: Photographs, O.K. Harris Works of Art, New York, NY
1994-95 What’s For Dinner?, Columbia Museum of Art, Columbia, SC
1994 Southern Images Plus Two That Aren’t, Morgan Gallery, Kansas City, MO
1993 O.K. Harris Works of Art, New York, NY
1993 Southern Images, Cumberland Gallery, Nashville, TN
1991 O.K. Harris Works of Art, New York, NY
1989 O.K. Harris Works of Art, New York, NY
1988 John Baeder: Americana Photographs, Zimmerman-Saturn Gallery, Nashville, TN|
1988 Modernism, San Francisco, CA
1987 O.K. Harris Works of Art, New York, NY
1986 Paintings and Artifacts, Zimmerman Saturn Gallery, Nashville, TN
1984 O.K. Harris Works of Art, New York, NY
1983 Cumberland Gallery, Nashville, TN
1982 O.K. Harris Works of Art, New York, NY
1982 Thomas Segal Gallery, Boston, MA
1980 Graphics 1 & 2, Boston, MA
1980 O.K. Harris Works of Art, New York, NY
1979 Diners by John Baeder, Williams College, Williamstown, MA
1978 O.K. Harris Works of Art, New York, NY
1977 Morgan Gallery, Shawnee Mission, KS
1976 Hundred Acres Gallery, New York, NY
1974 Hundred Acres Gallery, New York, NY
1973 Morgan Gallery, Shawnee Mission, KS
1972 Hundred Acres Gallery, New York, NY

Group Exhibitions:

2013 Reimagine: Reinvent, Holden Luntz Gallery, Palm Beach, FL
2012-14 Foto Realismus: Malen Mit Der Kamera, Kunsthalle Tubingen, Germany; traveling to: Museo Thyssen Bornemisza, Madrid, Spain; Birmingham Museum and Art Gallery, Birmingham, UK; Musee d’lxelles, Belgium
2012 Beyond Realism, Galerie De Bellefeuille, Montreal, Canada
2012 Art on Paper, Art & Design Gallery, Andrews University, Berrian Springs, MI
2012 Everyday Things: Contemporary Works from the Collection, Museum of Art, Rhode Island School of Design, Providence, RI
2012 Hyperrealism-A Moment in Time, Mark Gallery, Englewood, NJ
2012 Beyond Reality: Hyperrealism & American Culture, Vero Beach Museum of Art, Vero Beach, FL
2011-12 Local Color: Photography in the South, Morris Museum of Art, Augusta, GA|
2010 A Painters Eye, Vanderbilt Fine Arts Center, Nashville, TN
2008-09 Shock of the Real: Photorealism Revisited, Boca Raton Museum of Art, Boca Raton, FL
2007    Works on Paper: Drawings and Paintings by OK Harris Artists, Art & Design Gallery, Andrews University, Berrien Springs, MI
2007    Photorealist Watercolors: The PieperPower Collection, Milwaukee Art Museum, Milwaukee, WI
2007    I WANT Candy: The Sweet Stuff in American Art, Hudson River Museum, Yonkers, NY
2007    National Contemporary Realism, M.A. Doran Gallery, Tulsa, OK
2006-07 Photorealism: Cultural Icons, Jonathan Novak Contemporary Art, Los Angeles, CA
2006    Realist Tendencies on Paper, The Mary and Leigh Block Museum of Art,   Northwestern University, Evanston, IL
2006 Counter Culture: The American Diner, Copia: The American Center for Wine, Food, & the Arts, Napa, CA
2005 Hyperrealistes Americains, Galerie Patrice Trigano, Paris, France
2004 What Eight Artists Collect, 80 Washington Square Galleries, New York University, New York, NY
2004 Contemporary American Realism VII, M.A. Doran Gallery, Tulsa, OK
2004 American Photorealism, Iwate Museum of Art, Iwate, Japan; traveling exhibition in Japan
2004 O.K. Harris Works of Art, New York, NY
2004 Contemporary American Realism VII, M.A. Doran Gallery, Tulsa, OK
2004 Photorealism: Painting and Sculpture, Nassau County Museum of Art, Roslyn Harbor, NY
2003 Everything’s O.K. at O.K. Harris, Brevard Museum of Art and Science, Melbourne, FL
2003 Facing Reality: The Seavest Collection of Contemporary Realism, Neuberger Museum, Purchase, NY
2003 Hyperrealismes USA 1965-1975, Musee d’Art Moderne et Contemporain de Strasbourg, Strasbourg, France
2003 Contemporary American Realism IV, M.A. Doran Gallery, Tulsa, OK
2003 Iperrealisti, Chiostro del Bramante, Rome, Italy
2003 Recent Acquisitions, Morris Museum, Augusta, GA
2003 Real Illusions: Contemporary Art from Nashville Collections, Frist Center for the Arts, Nashville, TN
2002-03 A Century of Progress: Twentieth Century Painting in Tennessee, Cheekwood Museum, Nashville,TN: traveling in Tennessee to: The West Tennessee Regional Art Center, Humboldt; Knoxville Museum of Art, Knoxville; Carroll Reece Museum, East Tennessee State University, Johnson City and Morris Museum, Augusta, GA
2002 Inside/Outside A Group Show of Interiors and Landscapes Cumberland Gallery, Nashville, Tenn.
2002 Vintage Photorealists, Bernaducci Meisel Gallery, New York, NY
2002 As Real As It Gets: Super Realism and Photo-Realism from the Tucson Museum of Art and Private Collections, Tucson Museum of Art, Tucson, AZ
2002 Contemporary Realism V, M.A. Doran Gallery, Tulsa, OK
2002 Photorealism: The Liff Collection, Naples Museum of Art, Naples, FL
2002 In Context: Pattern in Contemporary Printmaking, David and Ruth Robinson Eisenberg Gallery, Jane Voorhees Zimmerli Art Museum, Rutgers, NJ
2001 Collectors’ Cotillion: A Visual Debut, 80 Washington Square Galleries, New York University, New York, NY
2001 This is America: American Photorealists, Aarhus Kunstmuseum, Arhus, Denmark
2001 Third Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA
2001 An Enduring Legacy: Art of the Americas from Nashville Collections, Frist Center for the Visual Arts, Nashville, TN
2000 American Masterworks, Quincy Art Center, Quincy, IL
2000 The Photorealists, Holmes Gallery, Center for the Arts, Vero Beach, FL
2000 O.K. Harris Works of Art, New York, NY
2000 Celebrating 20 Years, Cumberland Gallery, Nashville, TN
2000 Urban Realism, Blains Fine Art, London, UK
1999 First Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA
1998 Contemporary Works on Paper: 1938-1998, Keny Galleries, Columbus, OH
1998 Get Real: Contemporary American Realism from the Seavest Collection, Duke University Museum of Art, Durham, NC
1997 Real, Is It? Modern & Contemporary Realism, Louis Stern Fine Arts, Los Angeles, CA
1997 Southern Expressions: Sudduth & Baeder, Blue Spiral I, Asheville, NC|
1996 Small Packages, Cumberland Gallery, Nashville, TN
1996 urban/su/urban: Selected artists explore the human environment, Louis Stern Fine Arts, West Hollywood, CA
1996 Basic Ingredients: An Exhibition of Gallery Artists, Cumberland Gallery, Nashville, TN
1996 No Place Like Home: The House As a Motif in Contemporary Southern Art, ARTWALK at Lenox Square, The Promenade, Atlanta, GA
1996 A Survey of Contemporary American Realism, Posco Gallery, Seoul, South Korea
1996 Ivan Karp: The Face of Contemporary Art, A Celebration of Forty Years of Fine Arts Dealership, Norton Center for the Arts, Centre College, Danville, KY
1995 A Century Of Art At Augustana College 1894-1995, Augustana College Art Gallery, Rock Island, IL
1995 Contemporary Art by Indiana Artists: Selections from the Collection of the Indianapolis Museum of Art, Columbus Gallery, Indianapolis Museum of Art, Indianapolis, IN
1995 Streets Seen: The Edifice Complex-New Works from O.K. Harris, Norton Center for the Arts, Centre College, Danville, KY
1994-95 What’s For Dinner?, The Columbia Museum of Art, Columbia, SC
1994 American Realism and Figurative Painting, Cline Fine Art Gallery, Santa Fe, NM
1994 An American Vision: Photorealism Paintings Margulies Taplin Gallery, Boca Raton, FL
1994 Young Guns: East Coast Artists, Nevada Institute for Contemporary Art, Las Vegas, NV
1993 About Face, Cheekwood Museum of Art, Nashville, TN
1993 The 57th Annual National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH
1993 Photorealism Since 1980, Louis Meisel Gallery, New York, NY
1993 In/Sight: Late 20th-Century Art at the Virginia Museum of Fine Arts, Richmond, VA
1993-94 American Realism: The Urban Scene, Selections from the Glenn C. Janss Collection, organized by Boise Art Museum, Boise, ID; travelling exhibition
1993 The Pet Show, Helander Gallery, New York, NY
1992 What’s New, Helander Gallery, Palm Beach, FL
1992 Fall Antiques Show Preview Benefit, (sponsored by The Museum of American Folk Art), Pier 92, New York, NY
1992 New York Icons, Michael Ingbar Gallery of Architectural Art, New York, NY
1992 Photorealism >From Nashville Collections, Cheekwood Fine Arts Center, Nashville, TN
1992 A Tribute to Master Printer Mohammad Omer Khalil, Mary Ryan Gallery, New York, NY
1992 The Articulated Thumbprint, Boca Raton Museum of Art, Boca Raton, FL
1992 New York-City By Day/City By Night III, Gallery Henoch, New York, NY
1991-92 American Realism and Figurative Art: 1952-1990, Miyagi Museum of Art, Sendai, Miyagi; travelling to: Sogo Museum of Art; Tokushima Modern Art Museum; Museum of Modern Art, Shiga; Kochi Prefectural Museum of Folk Art; Japan Association of Art Museum; The Yomiuri Shimbun
1991 The Heart of America: The O.K. Harris Collection, Dada Building, Fukuoka City, Japan
1991 Get Real, North Miami Center of Contemporary Art, North Miami, FL
1991 Expressive Visions and Exquisite Images: Two Aspects of Art of the 80’s from the Richard Brown Baker Collection, Meadow Brook Art Gallery, Oakland University, Rochester, MI 1991
1991 Photorealism: The Early Years, Isidore Ducasse Fine Arts, New York, NY1991
1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, NY
1991 Perspectives on Realism: 1950-1991, Louis Stern Galleries, Beverly Hills, CA
1991 New York Antiques Show: From Pilgrim To Pop, Sheraton Centre Hotel & Towers, New York, NY
1990-91 The Technological Muse, Katonah Museum of Art, Katonah, NY
1990 The Best of Nashville, Downtown Gallery, Nashville, TN
1990 An Exhibit >From OK Harris Gallery New York, Zimmerman/Saturn Gallery, Nashville, TN
1990 Carsinart: The Automobile Icon, Pensacola Museum of Art, Pensacola, FL
1990 Realist Watercolors, Palmer Museum of Art, Pennsylvania State University, University Park, PA
1989 City Reflections, Levinson Kane Gallery, Boston, MA
1989-90 Trains and Planes: The Influence Of Locomotion In American Painting, Sherry French Gallery, New York, N.Y; travelling to: Roberson Center for the Arts and Sciences, Binghamton, NY; National Academy of Sciences, Washington, DC; Evansville Museum of Art, Evansville, IN; The Noyes Museum, Oceanville, NJ
1989 New York: City By Day/City By Night, Gallery Henoch, New York, NY
1989 Georgia Collects, High Museum of Art, Atlanta, GA
1988 Tortue is O.K., Tortue Gallery, Santa Monica, CA1988
1988 Welcome Back: Painting, Sculpture and Works on Paper by Contemporary Artists from Indiana, Herron Gallery, Herron School of Art, Indianapolis, IN
1987-88 Works On Paper, Modernism, San Francisco, CA1987
1987 The Hot Centre: Contemporary Art Selected By Ivan Karp, Norton Center for the Arts, Centre College, Danville, KY
1987 Fifty-First National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH
1987 Directors Choice, Tampa Museum of Art, Tampa, FL1987
1987 Mainstream America:The Collection of Phil Desind, The Butler Institute of American Art, Youngstown, OH 1986
1986 Diner:An American Artform, Castle Gallery, College of New Rochelle, New Rochelle, NY
1986 Views Across America, Pfizer Inc., New York, NY; organized by the Art Advisory Service, The Museum of Modern Art, New York, NY
1986 Architectural Images in Art, Fay Gold Gallery, Atlanta, GA
1986 Highlights of the Season, Helander Gallery, Palm Beach, FL
1985-88 AdoRnmenTs, Bernice Steinbaum Gallery, New York, NY; travelling to: Muscarelle Museum of Art, Williamsburg, VA; Prichard Art Gallery, University of Idaho, Moscow, ID; Amarillo Art Center, Amarillo, TX; Tampa Museum, Tampa, FL; University of Wisconsin Museum, Milwaukee, WI; Toledo Museum of Art, Toledo, OH; Wake Forest University, Winston-Salem, NC; Boca Raton Museum of Art, Boca Raton, FL; Hunter Museum of Art, Chattanooga, TN; Arkansas Art Center, Little Rock, AR; Butler Institute of American Art, Youngstown, OH; Lamont Gallery, Phillips Exeter Academy, NH
1985 Realism: Contemporary Americans, Hooks-Epstein Galleries, Houston, TX
1985 Views Across America, Gannett Company, New York, NY; organized by the Museum of Modern Art Advisory Service
1985-87 American Realism: Twentieth Century Drawings and Watercolors from the Glenn C. Janss Collection, San Francisco Museum of Modern Art, San Francisco, CA; travelling exhibition
1985 American Realism: The Precise Image, Isetan Museum of Art, Tokyo, Japan; travelling exhibition in Japan
1985 Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, RI; San Diego Museum of Art, San Diego, CA; Portland Art Museum, Portland, OR
1984 The Experience of Architecture, High Museum of Art, Atlanta, GA
1984 New Acquisitions, Whitney Museum of American Art, New York, NY
1984 Thirty-Five Artists, Morgan Gallery, Kansas City, MO
1984 America Seen: Contemporary American Artists View America, Adams Middleton Gallery, Dallas, TX
1984 Aspects of Contemporary American Realism, Jerald Melberg Gallery, Charlotte, NC
1984 Autoscape: The Automobile in the American Landscape, Whitney Museum of American Art, Fairfield County, Stamford, CT
1984 Photo Realist’s Photographs, Vision Gallery, Boston, MA
1984 Compact Compact - Bungalows in Chicago, Chicago Historical Society, Chicago, IL
1984 O.K. Harris Artists, Royal Palm Gallery, Palm Beach, FL
1984 From the Beginning, Pratt Manhattan Center Gallery, New York, NY
1983-84 Contemporary Works on Paper, Frumkin & Struve Gallery, Chicago, IL
1983-84 Painting New York, Museum of the City of New York, New York, NY
1983 Thanking the Muse, Morgan Gallery, Kansas City, MO
1983 Urban Documents, Cooper-Hewitt Museum, New York, NY
1983 Watercolor in America, Joseloff Gallery, Hartford Art School, University of Hartford, Hartford, CT
1983 Construction, Airport Commission, San Francisco International Airport, San Francisco, CA
1983 Contemporary Images, Watercolor 1983, University of Wisconsin, Oskosh, WI
1983 O.K. Harris West, Scottsdale, AZ
1983 Galerie Futura, Stockholm, Sweden
1983 O.K. Harris Artists, Eva Cohen Gallery, Highland Park, IL
1983 Master Watercolors, O.K. Harris Works of Art, New York, NY
1983 The Architectural Impulse, Tweed Gallery, Plainsfield, NJ
1982 Sawhill Gallery, James Madison University, Harrisonburg, VA
1981-83 Contemporary American Realism Since 1960, Pennsylvania Academy of Fine Arts, Philadelphia, PA; travelling to: Virginia Museum of Fine Arts, Richmond, VA; Oakland Museum, Oakland, CA; Gulbenkian Museum, Lisbon, Portugal; Germanishes National Museum, Nuremberg, West Germany
1981-82 Real, Really Real, Superreal, San Antonio Museum, San Antonio, TX; travelling to: Indianapolis Museum of Art, Indianapolis, IN; Tucson Museum of Art, Tucson, AZ; Museum of Art, Carnegie Institute, Pittsburgh, PA
1981 Proctor Art Center, Bard College, Annadale-on-Hudson, NY
1981 Visions of New York City, Tokyo Metropolitan Museum of Art, Tokyo, Japan
1980 Defining Illusion, American Art from 1970-1980, Indianapolis Museum of Art in Columbus, IN
1980 Realism/Photorealism, Philbrook Art Center, Tulsa, OK
1980 Directions in Realism, Danforth Museum, Framingham, MA Ben Shahn Gallery, William Paterson College, Wayne, NJ
1979 Venturi & Rauch - Architecture in Evervdav America, Kunstgewerbemuseum, Zurich, Switzerland
1979 America in the Seventies as Depicted by Artists in the Richard Brown Baker Collection, Meadow Brook Art Gallery, Oakland University, Rochester, MI
1979 Selected Realists, Thomas Segal Gallery, Boston, MA North Texas State University, Denton, TX
1979 A Wider Scope of Realist Art, The Art Contact, Coconut Grove, FL Central Michigan University, Mt. Pleasant, MI
1978 Landscape/Cityscape, Art Gallery, State University College, Potsdam, NY
1978 Contemporary Mezzotints, Williams College Museum of Art, Williamstown, MA
1978 Printmaking by Realists, Louis K. Meisel Gallery, New York, NY
1978 Place, Product, Package, Cooper-Hewitt Museum, Smithsonian Institute, New York, NY
1978 Current Work from New York, Slippery Rock State College, Slippery Rock, PA
1977 Art ‘77, Root Art Center, Hamilton College, Clinton, NY
1977 Central Michigan University, Mt. Pleasant, MI
1977 Prints of the Seventies, Boston Museum of Fine Art, Boston, MA
1977 Three Printmakers, Graphics 1 & 2, Boston, MA
1977 Master Watercolors, O.K. Harris Works of Art, New York, NY
1977 Watercolors and Drawings-American Realists, Louis K. Meisel Gallery, New York, NY
1977 New Realism, Jacksonville Art Museum, Jacksonville, FL
1977 New York on Paper, Whitney Museum of American Art, New York, NY
1976 Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN
1976 Recent Acquisitions, Denver Art Museum, Denver, CO
1976 Contemporary Images in Watercolor, Akron Art Institute, Akron, OH
1976 Contemporary Painting from Atlanta Collections, High Museum of Art, Atlanta, GA
1976 Signs of Life: Symbols of theAmerican City, Renwick Gallery, Smithsonian Institution,Washington,DC
1976 America as Art, National Collection of Fine Arts, Smithsonian Institution, Washington, DC
1975 Watercolors and Drawings-American Realists, Louis K. Meisel Gallery, New York, NY
1975 Richard Brown Baker Collects, Yale University, New Haven, CT
1975 Realismus und Realistat, Kunsthalle, Darmstadt, West Germany
1975 Realism, Edwin Ulrich Art Museum, Wichita, KS
1974 Selections in Contemporary Realism, Akron Art Institute, Akron, OH
1973 Gray is the Color, Institute of Fine Arts, Rice University, Houston, TX

Bibliography: Books

Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art, Jennifer Farrell, Yale University Press, 2011.

Exactitude, Hyperrealist Art Today, John Russell Taylor, Thames & Hudson, London, 2009.

Pleasant Journeys and Good Eats along the Way: The Paintings of John Baeder, Edited and with an essay by Jay Williams, University of Mississippi Press co published with The Morris Museum of Art, 2007.

Photorealism At The Millennium, Louis K. Meisel and Linda Chase, Harry N. Abrams Publisher, NY. NY, 2002.

This Is America, Aarhus Kunstmuseum, Arhus, Denmark; Foreword: Jens Erik Sorensen, 2001.

American Highlights: United States History in Notable Works of Art, Edith Pavese, Harry N. Abrams, Inc., New York, 1993

Photorealism Since 1980, Louis K. Meisel, Harry N. Abrams, Inc., New York, 1993.

American Realism: The Precise Image, Isetan Museum of Art, Tokyo, Japan; Text: John Arthur;

Published by The Asahi Shimbun, 1985.

History of Photography, Abbeville Press, New York, NY, 1984.

The Art of New York, Steven Heller and Seymour Chwast, Harry N. Abrams Publisher, New York, NY, 1983.

A Survey of American History, R. Current, T. Williams, F. Friedel, A. Brinkly; Alfred Knopf Publisher, New York, NY, 1982.

Varfur New York?, Ralph Hermanns, Forlags AB Wiken, 1982.

Contemporary American Realism Since 1960, Frank Goodyear, New York Graphic Society, Boston, MA, 1981.

Realist Drawings and Watercolors, John Arthur, New York Graphic Society, New York, NY, 1980.

Photorealism, Louis K. Meisel, Harry N. Abrams Publisher, New York, NY, 1980, p.435.

Bibliography: Book Reviews

The Tennessean, “Summertime, and the reading is easy”, Bonna Johnson, June 20, 2008, D1,3.

Nashville Scene, “Book Review: Icons of Roadside Culture”, March 13, 2008, p.15.

Roadside, (#23), "Armchair Roadtrips: Sign Language", 1997.

Mobilia, “Big Ben: Gas, Food, and Lodging”, Ben Grew, March 1997, p.26.

Autoweek, “Reviews: A collectible feast”, Mildred McIlrath, November 25, 1996, p.14.

Voices, The Newsletter of the North Carolina Folk Art Society, "The Book Crook: Sign Language", Andrew Glasgow, Vol.5, 1996, p.14.

Elle Decoration, “New Books”, September 1996, p.175.

Atlanta Journal Constitution, “Handmade street signs seen as messages of artistic expression”, Ted Anthony, September 15, 1996.

Roanoke Times, “Signposts to a culture”, Ted Anthony, August, 1996, p.1,3.

Nashville Banner, “Sign Language:’Music of street’ lures artist’s eye”, Ted Anthony, September 4, 1996, p.B4.

Esquire, “Sign Here”, September 1996, p.58.

Preservation, “Book Review: Sign Language”, July/August 1996, p.95.

Automobile, “FOB: Great Reading: Roadside America”, July 1996, p.17

New York Magazine, “In Print: Road Show”, Linda Hall, May 27, 1996, p.120.

Nashville Scene, “8 Days A Week: Books; Sign Book”, David Ribar, May 23, 1996.

Nashville Banner, “Books: Plowing new ground”, Sue McClure, February 14, 1996, p.C3.

Hartford Advocate, “Books: Nothing Could be Diner”, Kathy O’Connell, October 5, 1995.

San Francisco Examiner Magazine, “Sidestreets: Simply Grub”, October 1, 1995, p.37.

Middletown Press, “Community Notes: Arts, Etc.; In Praise of great diners”, Elizabeth Isele, September 29, 1995, p.B5.

Roadside, “Armchair Roadtrips: Diners by John Baeder”, Spring 1995, p.6.

Mobilia, “Reviews”, July 1995.

Los Angeles Times, “Paperbacks”, Charles Solomon, April 23, 1995.

Entertainment Weekly, “The Week: Books”, Erica K. Cardozo, March 31, 1995, p.56.

Roadside, “Armchair Roadtrips”, Winter 1992/93, p.4.

The Tennessean, “Baeder’s art includes his diner friends”, Clara Hieronymus, May 4, 1986, p.Fl.

Forbes, “This Summer, Get the Picture”, July 16, 1984.

W, “Best of the Best”, Howard Kissle, November 19-26, 1983.

National Motorist, “Pictorial Odyssey Along the Great American Roadside”, Robert Carlsen, February 1983.

American History Illustrated, “Books”, Thomas Miglino, January 1983.

Chicago Tribune, December 5, 1982.

Collectors News, December 1982.

Los Angeles Times, “Book Reviews”, John Mendelssohn, November 28, 1982.

Publishers Weekly, September 24, 1982.

Newsweek, “Book Reviews”, December 11, 1978.

New York Times Book Review, “Paperbacks: New & Noteworthy”, December 3, 1978.

Bibliography: Editions/Publications/DVDs

Baeder: Pleasant Journeys and Good Eats Along the Way, DVD 29 minutes; created in association with The Morris Museum ; Film House Inc, Nashville, TN, 2008

Sign Language, Street Signs As Folk Art, John Baeder, Harry N. Abrams, New York, 1996.

Gas, Food, and Lodging, John Baeder, Abbeville Press, New York, NY, 1982.

Diners, John Baeder, Harry N. Abrams Publisher, New York, NY, 1978, updated and reissued 1995.

Bibliography: Catalogues

Governor’s Arts Awards 2009, Tennessee Arts Commission, “ John Baeder, Distinguished Artist Award”, Nashville, TN, 2009.

John Baeder’s American Roadside: Early Photographs, Thomas Paul Fine Art, Los Angeles, CA; 2009.

Shock of the Real: Photorealism Revisited, Boca Raton Museum of Art, Boca Raton, FL; Introduction: Valerie Ann Leeds, Ph.D;, 2008.

Pleasant Journeys And Good Eats Along The Way: A Retrospective Exhibition Of Paintings By John Baeder, (Exhibition  Brochure), Text: Jay Williams, Curator, Morris Museum of Art, Augusta, GA, 2007.

Photorealist Watercolors: The PieperPower Collection, Text: Linda Chase, PPC Partners Inc., Milwaukee, WI, 2007.

I Want Candy: The Sweet Stuff in American Art, Hudson River Museum, Yonkers, NY; Text: Bartholomew F. Bland, 2007.

John Baeder, Plus One Gallery, London, England; Essay: Virginia Anne Bonito, 2006.

Hyperrealistes Americains, Galerie Patrice Trigano, Paris, France, 2005.

John Baeder, Galerie Patrice Trigano, Paris, France, 2005.

Seeing Photographically: Photorealist Paintings, The Sydney and Walda Bestoff Collection, New Orleans, LA, 2004.

American Photorealism, Iwate Museum of Art, Iwate, Japan; Text: Louis K. Meisel; Linda Chase, 2004.

Photorealism: Painting and Sculpture, Nassau County Museum of Art, Roslyn Harbor, NY; Essay: Franklin Hill Perrell, 2004.

Hyperrealismes USA 1965-1975, Musee d’Art Moderne et Contemporain de Strasbourg, Strasbourg, France; Preface: Fabrice Hergott, 2003.

Iperrealisti, Chiostro del Bramante, Gianni Mercurio, Wolfgang Becker, Louise K. Meisel; Viviani Editore, Rome, Italy; 2003

Third Annual Realism Invitational ,Jenkins Johnson Gallery, San Francisco, CA:Essay: Patricia Failing, 2001.

An Enduring Legacy: Art of the Americas from Nashville Collections, Frist Center for the Visual Arts, Nashville, TN; Introduction: Mark W. Scala, 2001.

First Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, CA; Essay: Peter Frank, 1999.

Get Real: Contemporary American Realism from the Seavest Collection, Durham, NC; Virginia Bonito, 1998.

A Survey of Contemporary American Realism, Posco Gallery, Seoul, South Korea, 1996.

A Century Of Art At Augustana College: 1894-1995, published by The Art and Art History Department of Augustana College and the Augustana Historical Society, Rock Island, IL, 1995.

New Art In An Old City/2, Virlane Foundation and K&B Corporation Collections; Essay: Edward Lucie-Smith, New Orleans, LA, 1994.

New York Realism: Past and Present, travelling exhibition organized by Kitakyushu Municipal Museum of Art, Japan; Text: Douglas Dreishpoon, 1994.

American Realism + Figurative Painting, Cline Fine Art Gallery, Santa Fe, NM; Text: John Arthur, 1994.

American Realism and Figurative Art: 1952-1990, Miyagi Museum of Art, Sendai, Miyagi, Japan, 1991.

Expressive Visions And Exquisite Images: Two Aspects Of Art Of The 80’s From The Richard Brown Baker Collection, Meadow Brook Art Gallery, Oakland University, Rochester, MI; Text: Kuchi Usui, 1991.

Photorealism: The Early Years, Isidore Ducasse Fine Arts, New York, NY, 1991.

In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, NY; Introduction: Constance Schwartz, 1991.

Carsinart: The Automobile Icon, Pensacola Museum of Art, Pensacola, FL; Text: Joseph L. Kagle, Jr. and Gerald Silk, 1990.

Realist Watercolors, Palmer Museum of Art, Pennsylvania State University, State College, PA; Essay: John Arthur, 1990.

Mainstream America: The Collection of Phil Desind, The Butler Institute of American Art, Youngstown, OH; Introduction: Louis Zona, 1987.

American Realism: Twentieth-Century Drawings and Watercolors from the Glenn C. Janss Collection,

San Francisco Museum of Modern Art, Text: Alvin Martin, San Francisco Museum of Modern Art/Harry N. Abrams Publishers, New York, 1985.

Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art, Museum of

Art, Rhode Island School of Design, Providence, RI; Foreword: Franklin W. Robinson, 1985.

America Seen: Contemporary American Artists View America, Adams Middleton Gallery, Dallas, TX, 1984.

Autoscape: The Automobile in the American Landscape, Whitney Museum of American Art, Fairfield County, Stamford, CT; Pamela Gruninger Perkins, 1984.

Contemporary Images, Watercolor 1983, Allen Priebe Gallery, University of Wisconsin, Oskosh, WI, 1983.

Painting New York, Museum of the City of New York, New York, NY; Steven Miller, 1983.

Real, Really Real, Super Real: Directions in Contemporary American Realism, San Antonio Museum Association, San Antonio, TX; 1981-82, p.113.

Visions of New York City, Tokyo Metropolitan Museum of Art, Tokyo, Japan; Introduction: Tom Armstrong, 1981.

Oakland University, Rochester, MI; George Matthews, 1979.

John Baeder: Paintings and Prints, Williams College Museum of Art, Williamstown, MA; Jane M. Boyle, 1979.

John Baeder - Diners of New Jersey, William Paterson College, Wayne, NJ; Nancy Einreinhoffer, 1979.

Venturi & Rauch - Architecture in Everyday America, Kunstgewerbe Museum, Zurich, Switzerland, 1979, p.15,29.

Signs of Life: Symbols in the American City, Renwick Gallery, Smithsonian Institution, Washington, DC; Aperture Inc. Publications, 1976.

Contemporary Images in Watercolor, Akron Art Institute, Akron, OH; Robert Doty, 1976.

Realismus und Realitat, Darmstadt, West Germany, 1975

Selection in Contemporary Realism, Akron Art Institute, Akron, OH; Robert Doty, 1974.

Gray is the Color, Rice Institute, TX, 1973.

Bibliography: Periodicals

Southern Living, “Art Outside Atlanta”, Annette Thompson, December 2009.

THE Magazine, (Los Angeles, CA)“Review”, Thomas McGovern, May 2009.

Auburn Magazine, “Reality Bites”, Betsy Robertson, p.38-43.

Art & Antiques, “Double Take”, Barbara S. Tapp; “The Two Sides Of Photorealism” Joseph Jacobs, April 2008, p.18, 71-81.

Morris Museum of Art Quarterly Newsletter, “Exhibitions: Pleasant Journeys and Good Eats Along The Way: A Retrospective Exhibition of Paintings by John Baeder”, Winter 2007-2008.

Nashville Arts Magazine, “Music City Picks: Honest Choices by Real People” (photograph) Nancy W. Brown  August 2007, p.10.

Postcard Collector, “From 10 Cents to $793: A 29-Year Saga of Linen Postcards”, Don Preziosi, November/December 2006, p.76.

The Oxford American, photograph, Fall 2005, p.145.

Malibu Monthly, “Portfolio”, Julie DuBrow, June 2003.

Angeleno, “John Baeder; The Hungry Artist”, Peter Frank, May 2003.

Venice, May 2003, p.92.

Art in America, “Report From Strasbourg: Reality Show”, Daniel Belasco, March 2004, p.55.

Connaissance Des Arts (Paris), “Les extremists du reel”, D.S., Juillet/Aout 2003.

In Natural, “The Outerline from Nashville”, Bill Demain, June 1998, p.74, 75.

Classic Automobile Register, “Postcards >From The Road”, William Haarlan Pryor, November/December 1997, p. 19,75-80.

Nashville Life, “The 100 Coolest People in Nashville”, Bevely Heel, Clark Stovall Parsons, April/May 1997, p.54.

U&lc, (Upper and Lower Case), “Roadside Attractions”, Steven Heller, Spring 1997, P.8-14.

Artweek, “urban/sub/urban’ at Louis Stern Fine Arts”, George Tapley, February 1997, p.25.

Boulevard Magazine, “on the road again”, Christine Kreyling, Fall 1996, p.23-24.

Yale Alumni Magazine, “Collecting From The Heart”, Bruce Fellman, October 1995, p.47.

SCI News Journal, “On the Road with the Society for Commercial Archeology”, John B. Levine, Winter 1993/93, p.3.

Roadside, “Disney Slips Modern a Mickey”, Spring 1994, p.8.

Spirit, (Southwest Airlines Magazine), “What’ll it be, hon?”, John Mariani, May 1993, p.25.

Folk Art, “Fall Antiques Show”, Fall 1992, p.17.

Roadside, “Nothing Finer Than Baeder’s Diners”, Guy Nicolucci, Summer 1992, p.1.

Roadside, “Baeder’s 1992 Diners”, Spring 1992, p.11.

Automobile Quarterly, cover and photographs, Vol. 30, No.3, Spring 1992.

Yankee, "Devoted to Diners", John Lovell, April 1991, p.78-79.

Nostalgia, "Plain Or De-Luxe", Linda Sanders, March 1991, p.26.

Maine Antique Digest, "Pilgrim to Pop-A Lot of Fun", Lita Solis-Cohen, March 1991, p.16.

Harper's Bazaar, "American originals", February 1991, p.102-107.

Exposure, "Art Taco", Lesa Sawahata, July/August 1989.

American Heritage, " Fast Food", (photograph), April 1989, p.75.

The Sciences, "Quantum Cuisine", (photograph) March/April 1989, p.17.

Angola News Gazette, "Never mind all the hoopla, diner operators' goal is to keep the restaurant thriving", Michael Marturello, April 15, 1988.

Art Papers, "John Baeder: A Profile", Susan W. Knowles, March/April 1988.

Art & Antiques, "America's Top 100 Collectors", the Editors, March 1988, p.67.

Connoisseur, "An Artist To Collect: Klaus Fussmann, The Sensitive Modernist", Kenneth Baker, March 1988, p.148.

Indianapolis NewTimes, "Native and nascent artists", Doris Vlasek Hails, February 1988, p.16.

Tennessee Architect, "Art in Architecture", Michael L. Aurbach, September/October 1987, p.18, 19.

Life Magazine,"Big Boy Bop", (photograph), December 1986, p.32.

Eastern Review, (Eastern Airlines Magazine), "Hey, Dottie", (from Newweek), Bill Barol, September 1986, p.65-68.

Newsweek, "Hey, Dottie-Diners Are Back", Bill Barol; Shawn Doherty, March 3, 1986, p.54-55.

Nashville, "Art At Home: The Art of Living", Julie Garmendia, January 1986, p.8-10.

Forbes, "This Summer, Get the Picture", July 1984.

Readers Digest, "The Great American Motel", May 1983.

Playboy, "Playboy Potpourri", April 1983.

People Magazine, "Picks & Pans", April 4, 1983.

Review, "The Great American Motel", August 1982

American Heritage, "The Great American Motel", June/July 1982.

Art Express, "Chapter One", Bruce Helender, May/June 1982.

Art Express, "Realisms", John Perreault, March/April 1982, p.34-38.

Smithsonian Magazine, "Painters Who Put The Real World In Sharp Focus", John Canaday, October 1981.

Frankfurter Allegemeine Magazin, "Speisewagen Im Stilistand", Michael Schwarze, July 17, 1981.

Historic Preservation Magazine, "Diner", Mark C. Sawtelle, September/October 1979.

International Review of Food & Wine, "Streamliners", May 1979.

View Magazine, "John Baeder's Diners", Spring/Summer 1979.

American Collector, "His Thing is Diners - By the Hundreds", Bob Weinstein, January 1979.

Signature, "America's Curbside Classics", November 1978.

Nightfall, "City Lights", September 1978.

Fast Service, "Diners: An Artists View", August 1978.

Art News, "Richard Baker's Amazing Mini-Museum", Paul Gardner, January 1978.

New Times Magazine, "Final Tribute; Diner: Last Exit", Steve Lohr, April 29, 1977.

Arts Magazine, "Review", Ellen Lubell, September 1976.

Print Magazine, "Street Signs as Folk Art", January 1971.

Bibliography: Newspapers/Blogs

Design Observer.com, “Why Does John Baeder Paint Diners?” Steven Heller, November 17, 2009.

Nashville Film Festival: 1969-2009, “Tennessee Film Night 1: Tennessee Treasurers- Baeder: Pleasant Journeys and Good Eats Along the Way”, April 21, 2009.

The Tennessean, Arts and Entertainment, “Best Bets: Painter John Baeder unveils his photo trove”, Will Ayers, March 29, 2009, p.8.

The Tennessean, Arts and Entertainment:Cover Story,“On the road with John Baeder”, MiChelle Jones, December 21, 2008, p. cover, 13-15.

Los Angeles Times, “Humble trucks, great food” (photos)  C. Thi Nguyen, April 21, 2008, p.A1

Charleston City Paper, “Visual Arts Review: Pleasant Journeys and Good Eats Along The Way: A Retrospective Exhibition of  Paintings by John Baeder”, Kevin Murphy, March 26, 2008.

Metro Spirit (Augusta, GA), “Arts: On the road”, Stacey Hudson, December 2-19, 2007, p.32

Los Angeles Times Sunday Magazine, “Roadside America for the 21st Century”, June 1, 2003, p.10.

Hebdoscope (Strasbourg), “Hyperrealismes USA, 1965-75 au Mames”, 18 Juin/1st Juillet 2003.

Antiques and the Arts Weekly, “’Art of Tennessee’”, Karla Klein Albertson, September 26, 2003,p.41.

Tucson Weekly, “The Sharper Image”, Pamela Portwood, July 31, 2002 (photo).

Nashville Banner, “Leaving diner: Artist serves up work in exhibit”, Susan Chappell, December 31, 1997, p.D1.

Tennessean, “ A striking figure”, Alan Bostick, December 1997.

USA Today, "Diners whet appetites of retro­hungry crowds", Jerry Shriver, June 23, 1997, p.6D.

The Paper and Advertising Collector, (Vol.18, No.9), "John Baeder Shares His 'Collection' of Signs", September 1996, p.24.

Antiques and Auction News, (Vol.27, No.31), "John Baeder Shares His 'Collection' of Signs", August 2, 1996, p.20

Dagens Industri, (Sweden) "Nostalgi over ett svunnet Amerika", Ralph Herrmanns, 30 Juli 1996, p.27.

New York Times, "A Fading Language Of the Roadway", Rita Reif, June 30, 1996, p.31.

The Tennessean, "Artist John Baeder shows the way with 'Signs'", Linda Quigley, April 26, 1996.

The Voice, (Bloomsburg University), "Bloomsburg receives art donation", Alisa Trepiccione, January 19, 1995,

Chattanooga Free Press, History, Painting Come Alive As Artist, Subject Cross Paths", Victor Miller, April 24, 1994, CI,3.

Chattanooga Free Press, "Her Diner's On Canvas, But Where's Mozella?", Victor Miller, April 19, 1994.

Nashville Scene, "Exhibits: Self Images", Linda Learning, October 26, 1993.

Nashville Scene, "Exhibits: Food for Thought", Susan W. Knowles, June 17, 1993.

Nashville Scene, "8 Days A Week", (illustration), May 27, 1993, p.47.

The Tennessean Showcase, "What looks good; Nashville's John Baeder serves scrumptious art", Alan Bostick, May 23, 1993.

Miami Herald, "Realism show needs fewer,better artists", Helen L. Kohen, December 7, 1991, p.5E.

Nishinippon Newspaper, (Fukuoka City, Japan), "Quest New York", Yoshihiro Kinoshita, November 27, 1991.

Le Devoir (Montreal) "Elaac: Quatre galeries new-yorkaises affichent leurs couleurs", Marie-Michele Cron, November 14, 1991, p.AI,4.

Nashville Scene, "White Cottage Is No More", John Baeder, April 25, 1991, p.6.

Nashville Scene, "Scene Out", (photograph), October 11, 1990, p.11.

The Tennessean, "Baeder paints us back to the Bar-B-Q", Richard Schweid, October 5, 1990, p.DI.

The Tennessean, "Contemporary art on display at galleries", January 24, 1990.

The New York Times, "It's the Last Call At Rosie's Diner, And on the Road", Wayne King, January 12, 1990, p.BI.

The New York Times, "American Prints at Newark Library", Vivien Raynor, April 23, 1989, p.22 N.J.

The Tennessean, "John Baeder's photographs give viewers a 'second look'", Clara Hieronymus, November 28, 1988, p.6F.

The Indianapolis Star, "Art World: Artistic seeds sprout well from Indiana soil", Anne Cunningham, January 31, 1988, p.E12.

The Indianapolis News, "Artists: No longer need to leave to make a mark", Marion Garmel, January 14, 1988, p.CI,5,

Nashville Banner, "Spotlight: John Baeder 'Diner-mania' describes his life's work", Susan Quick, November 2, 1987, BI,3.

St Petersburg Times, "Two shows define Tampa and its image", Mary Ann Marger, May 8, 1987, p.2D.

The Tampa Tribune, "Loudspeaker for the present", photograph, April 24, 1987.

New York Times, "At the Castle Gallery, a Clear Case of Art Imitating Life", William Zimmer, December 7, 1986, p.50.

New York Times, "The Diner: An American Art Form", Elizabeth Kolbert, November 28, 1986.

Dallas Morning News, "Seeing America", Janet Katner, July 4, 1984.

The Tennessean, "Artist John Baeder Appreciates Diners", July 22, 1984.

Southern Connecticut News, "America on wheels", Philip Eliasoph, April 8, 1984.

Sunday Record, (Bergen, NJ), "The Ways and Means of Route 17 - Exploring a Mainstream of Society", Tom Walker, February 26, 1984.

The Post, (West Palm Beach, FL), "Is What You See All You Get From Illusionist Art?", Gary Schwan, February 26, 1984.

Miami Herald, "Making Art on a Big Scale", Helen Kohen, February 19, 1984.

Palm Beach Daily News, "Baubles & Bangles Make for 'OK' Week-Artists by O.K. Harris Exhibition Opens at Helander/Rubenstein Gallery", Shannon Donnelly, February 19, 1984.

The Tennesseean, "'Gas, Food, and Lodging John Baeder Nostalgia'", Clara Hieronymus, December 5, 1983.

Nashville Banner, "Diners-They Give Norishment To An Artist", Caroline Bartholomew, November 18, 1983.

Hartford Courant, "Handsome Watercolors at U of H's Joseloff Gallery", Bernard Hanson, November 13, 1983.

New York Times, "Plainfield Gallery: Big Strides in a Short Career", Vivien Raynor, January 23, 1983.

Atlanta Journal, "Roadside Rambler", Howard Pousner, January 11, 1983.

Las Vegas Sun, "LV: Something to write home about", Julie Bookman, January 9, 1983.

Boston Globe, "Diner Architecture Elevated to Art Form", Christine Temin, November 25, 1982.

New York Times, "Art Sampler", David L. Shirey, May 16, 1982.

Baltimore Sun, "Reality through contemporary artist's eyes", Elisabeth Stevens, October 25, 1981.

Sunday Telegram, "School of Realism Runs to (Top) of Class at Danforth", Peter P. Donker, May 25, 1980.

Washington Post, "Diner Dreams", Paul Hendrickson, September 5, 1979.

The Transcript, (Williamstown, MA), "Exhibit immortalizes roadside diner", Gwendolyn Owens, August 1, 1979.

Sunday Newsday, "Anything but a Greasy Spoon", Marilyn Goldstein, May 20, 1979.

Herald News, "He 'canvases' New Jersey diners", Jennifer Beaver, March 2, 1979.

Atlanta Journal and Constitution Magazine, "The Majestic Inspired an Art Book", John English, February 18, 1979.

Nation's Restaurant News, "The Regulars take over the wee small hours at New Jersey diners", Philip Barbara, January 22, 1979.

Sunday Record, "Artist's never fed up with Diners", Phil Thomas, December 31, 1978.

Christian Science Monitor, "The Old Diner's Spirit Painted For Posterity", William Marlin, December 29, 1978.

New York Times, " If Only They Served Corned-Beef Hash", Fred Ferretti, December 3, 1978.

Pittsburgh Post-Gazette, "Artist Baeder's Obsession: Immortalizing the Diner", Phil Thomas, November 14, 1978.

SoHo Weekly News, "Diners Are Forever", John Perreault, September 14, 1978.

Charlotte Observer, "Artist Shares His Passion For 'Diners'", Talmadge Moose, September 10, 1978.

Chicago Tribune, "Diners Make A Last Stand in America's Heartland", Ralph Frammolino, September 7, 1978.

Ann Arbor News, "'Diner' Artist Pays Homage To Quick Lunch Temples", Norman Nadel, August 27, 1978.

Washington Post Weekend, "The Diner: Was There Anything Finer", Tim Taylor, August 25, 1978.

Village Voice, "Scenes", Howard Smith, July 10, 1978.

New York Times, "Design Notebook", John Russell, July 6, 1978.

New York Times Magazine, "Architecture for a Fast Food Culture", Ada Louise Huxtable, February 12, 1978.

SoHo Weekly News, "Animal Art", John Perreault, May 27, 1976.

Atlanta Journal, "Contemporary Art on View", Clyde Burnett, April 29, 1976.

National Observer, (Washington, DC) "On Reading the American Cityscape", Bill Marvel, April 24, 1976.

Sunday Denver Post, "Magic Chef Restaurant Gets High Marks As Painting; Biscuits Aren't Bad Either", Barbara Ryan, April 4, 1976.

New York Times, "National Life Seen in Art",Hilton Kramer, March 1976.

New York Times, "The Pop World of the Strip and the Sprawl", Ada Louise Huxtable, March 21, 1976.

New York Times, "Of Thee I SIng", Catherine de Vinck, February 7, 1976.

SoHo Weeklv News, "On Art", John Gruen, December 12, 1974.

The Atlanta Journal and Constitution Magazine, "He Paints Pictures of Postcards", John English, November 11, 1973.

Awards

2009   Distinguished Artist Award, Governor’s Arts Awards 2009, Tennessee Arts Commission, War Memorial Auditorium, Nashville, TN; Presented on April 14, 2009

Selected Collections:

Whitney Museum of American Art, New York, NY

Cooper-Hewitt Museum, Smithsonian Institution, New York, NY

Norton Museum, Palm Beach, FL

Denver Art Museum, Denver, CO

Milwaukee Art Museum, Milwaukee, WI

Newark Museum, Newark, NJ

Springfield Art Museum, Springfield, MO

High Museum of Art, Atlanta, GA

Virginia Museum of Fine Arts, Richmond, VA

Tucson Museum of Art, Tucson, AZ

Detroit Institute of Fine Arts, Detroit, MI

Cheekwood Museum, Nashville, TN

Tennessee State Museum, Nashville, TN

Morris Museum, Augusta, GA

Rhode Island School of Design, Providence, RI

Yale University, New Haven, CT

Newark Public Library, Newark, NJ

Randolph Macon College, Lynchburg, VA

St. Lawrence University, Canton, NY

DePaul University, Greencastle, IN

Norwalk Community College, Norwalk, CT

American Telephone & Telegraph,

Amerada Hess Corporation

Coca-Cola Company Inc., Atlanta, GA

Northern Telecom, Nashville, TN

Stouffer Hotels, Nashville, TN

Third National Bank, Nashville, TN

Hospital Corporation of America, Nashville, TN

Dunkin Donuts, Randolph, MA

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